Pippin; A Wandering FlameRichards, Laura Elizabeth Howe
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Pippin; A Wandering Flame
Richards, Laura Elizabeth Howe
Bildungsromans; Ex-convicts -- Fiction; Love stories; Orphans -- Fiction; Young men -- Fiction
"Why, I don't know!" Mary came daintily down the steps of the platform
(demonstrating the while a seeming impossibility, that her foot was as
pretty as the rest of her), and advanced, looking from Pippin to the
wheel and back again. "Are you a p'fessional?" she asked.
"That's what! I expect I can give satisfaction, knives, scissors, or
tools; anything except razors; them I don't undertake. Like to have a
look at the wheel, lady? She's a beaut, too--what I would say, Nipper is
her name, not a female name, but all she's got--same as me."
"Nipper!" the girl paused a fraction of a second. It was as if some
faint air stirred, not enough to ruffle ever so delicately the clear
pool of memory; it passed and was gone. "'Tis a pretty wheel!" said
Mary.
"Take it from me, lady, she's O.K., the Nipper is. Runs slick as greased
lightning; I'd show you if you had a knife handy."
"I'll fetch the carving knife!" said Mary. "It's dull as anything."
She vanished, to the perceptible darkening of the daylight, but soon
reappeared, bringing not only the sun but a handful of knives, big and
little.
Looking at them, and still more closely at the strong shapely hand that
proffered the first of them, an idea came to Pippin, which he withheld
for the moment. He took the carving knife, pronounced it a dandy but
been used some.
"Now watch me, lady!" he said.
A pretty trade! Temp'ry, as Pippin never failed to assure himself, but
pretty. See now how lovingly he lays the blade to the wheel. His foot
presses the pedal, and the wheel turns; slowly at first, then faster and
ever faster till all Mary sees is a blur of gray and blue with now and
then a darting spark. Pippin, holding the blade tenderly yet firmly
against the flying stone, bends over it intent; then as the edge begins
to fine and taper, he whistles, then hums under his breath, finally
breaks out into full-throated song:
"Knives and scissors to grind, oh!
Have 'em done to your mind, oh!
Large and small,
Damaged and all,
Don't leave any behind, oh!
"Knives and scissors to grind, oh!
Every specie and kind, oh!
Bring 'em to me,
_And_ you will see
Satisfaction, you'll find, oh!"
Mary looks and listens; looks first at the wheel, then at the man. On
him her eyes linger, studying his trim khaki-clad figure (his new road
suit, a parting gift from Mrs. Baxter, a good wish set in every stitch),
his close-curling hair, the sharp, bold chiseling of cheek and chin. My!
thinks Mary, if he's as good as he is lookin'!
A distant whistle sounds; a clock in the kitchen strikes twelve, with an
insistence almost personal. Mary jumps up from the step where she has
been sitting with her feet tucked under her and her hands clasping her
knees. There! She's no idea 'twas so late. She must go in and get
dinner. She thanks him ever so; that is an elegant edge. How much,
please?
Public-domain text, read in full here on John Shaqi.
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