Almost every day after that Tom and Mr. George spent the half-hour
preceding dinner in the side-yard. Frequently the half-hour lengthened
into three-quarters and the two had to brave Mrs. Tully’s coldly
disapproving glances when they sought the table. Tom, though, was
too happy to mind, while Mr. George seemed always quite unconscious
of having transgressed a rule of the house. The more Tom saw of
the detective the better he liked him. When they were together Mr.
George--Tom discovered in time that his full name was Benjamin Culloden
George--forgot that he was nearly forty-five, and made Tom forget
it, too. He was jolly and full of jokes, infinitely patient while
instructing Tom in the mysteries of the in-shoot or the drop ball, and
a veritable mine of anecdotes of the playing field. And, best of all,
he was able to impart what he knew about pitching a baseball, as able
to teach as Tom was eager to learn. And Tom learned, too, putting his
whole heart and soul into mastering the intricacies of pitching. Once
Mr. George said to him:
“One thing I like about you, Tom, is you don’t say you understand when
you don’t. You make me tell it all over again and then you go and do
it. Lots of folks will say they know what you mean and then show that
they haven’t got any idea!”
“I guess I’m kind of stupid about that wrist work,” said Tom
apologetically. “I--I don’t get the hang of it very well.”
“Don’t you worry, it’ll come to you. It just takes practice, lots
of practice. After awhile you’ll be snapping the ball away without
knowing you’re doing it. Now you try again. Never mind about putting
it over the plate; just throw at the fence. Snap her under now! That
was better. Oh, never mind where the ball went. We don’t care about
that--yet. See what I mean about the snap, don’t you?”
“I see what you mean, all right, but I can’t get it--yet.”
“That’s the idea! You can’t get it--_yet_. That means that you know you
will get it finally, eh? Sure! Now, always remember that a ball curves
the way you pinch it. It’s that pinch that gives the drag to it as it
leaves your hand. The more drag the more spin, and the more spin the
more curve. Only you don’t ever want to pitch an in-curve, Tom. You
see, you’ve got to start it off with a round-arm delivery and that puts
the batter on every time. He knows what’s coming, do you see? And he
lams it! But if you give him an in-shoot he can’t tell what it’s going
to be because an in-shoot starts off like any other ball. Curve ’em
wide to the out, if you want to, but don’t do any ‘barrel-hoops’ on the
in. One more now.”
Mr. George was very strict about one thing, and that was not allowing
Tom to overwork his arm. “Stop just as soon as it begins to heat up,”
he would say. Often Tom begged to be allowed to continue when that
condition of affairs was reached, but the detective was firm on that
point. “Nothing doing, Tom. That’ll be all for this time. You can’t
afford to monkey with a good arm like that.”
Public-domain text, read in full here on John Shaqi.
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