In Rome it was not so. There art and religion walked hand in hand. Religion fostered art. Art was dutiful, and repaid the boon. It became the handmaid of religion. Everywhere within the walls of her temples were seen the products of art’s filial labor, in sculpture, painting, poetry and music, her inexhaustible treasury of thought and history ever presenting new sources of artistic power to the hand of genius. Those temples themselves being, indeed, the finest monuments of architecture, bear glorious witness to the excellent union of art and religion. Worldliness, on the other hand, when at the height of its passion against religion, seeks to destroy all the creations of art and genius. It aims at nothing less than to reduce mankind to the condition of the savage, and is not ashamed to acknowledge that such is its aim. Let us hear the testimony of the Roman artists. This body, on the one hand, rejoiced in the coming celebration of the centenary; on the other, they were filled with sad forebodings as to the approaching downfall of the Papal sovereignty by the threats of Garibaldi and the predictions of Mazzini. They resolved, therefore, whilst yet the Pope, who, like his predecessors, had shown them much kindness, and munificently rewarded their labors, reigned at Rome, to present to him a dutiful and affectionate address, which should remain, in time to come, as a testimony of their gratitude to that beneficent sovereignty which they had but too much reason to fear would soon come to an end. This address is so important and tells so much truth, that it is deserving of a place in all histories. It is as follows: “Most Holy Father, religion, policy and mere human wisdom have protested in favor of the temporal power of the Papacy. The arts come, in their turn, to lay their homage at the feet of your Holiness, and to proclaim to the world that this power is to them indispensable. Their voice must be heard and listened to. For when the tide of generations recedes, the arts remain as the irrefutable witnesses of the power and splendor of the civilization amid which these generations lived. The sovereigns who encourage and develop them acquire immortal renown; those who neglect or oppress them meet only with the contempt of posterity. What royal dynasty has in this respect deserved so well of civilization and humanity as that of the Sovereign Pontiffs? They have been the watchful guardians of the master-pieces bequeathed to us by antiquity. They have given these a home in their own palaces to show that religion adopts and ennobles all that is truly beautiful. It is the Sovereign Pontiffs who, by opening new avenues for modern art, have brought it to the point of perfection, embodied in the master-pieces of Raphael and Michael Angelo. They alone support in Rome that unique assemblage of all that is beautiful in every order, that splendid intellectual galaxy in whose light the artists of every land are formed.