British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction; Short stories, English
But that ceremony holds and can drag a man to his undoing just
as thoroughly as the “long as ye both shall live” curse from the
altar-rails, with the bridesmaids giggling behind, and “The Voice that
breathed o'er Eden” lifting the roof off. In this manner was Dicky Hatt
kidnapped, and he considered it vastly fine, for he had received an
appointment in India which carried a magnificent salary from the Home
point of view. The marriage was to be kept secret for a year. Then Mrs.
Dicky Hatt was to come out and the rest of life was to be a glorious
golden mist. That was how they sketched it under the Addison Road
Station lamps; and, after one short month, came Gravesend and Dicky
steaming out to his new life, and the girl crying in a thirty-shillings
a week bed-and-living room, in a back street off Montpelier Square near
the Knightsbridge Barracks.
But the country that Dicky came to was a hard land, where “men” of
twenty-one were reckoned very small boys indeed, and life was expensive.
The salary that loomed so large six thousand miles away did not go far.
Particularly when Dicky divided it by two, and remitted more than the
fair half, at 1-6, to Montpelier Square. One hundred and thirty-five
rupees out of three hundred and thirty is not much to live on; but
it was absurd to suppose that Mrs. Hatt could exist forever on the 20
pounds held back by Dicky, from his outfit allowance. Dicky saw this,
and remitted at once; always remembering that Rs. 700 were to be paid,
twelve months later, for a first-class passage out for a lady. When you
add to these trifling details the natural instincts of a boy beginning a
new life in a new country and longing to go about and enjoy himself, and
the necessity for grappling with strange work--which, properly speaking,
should take up a boy's undivided attention--you will see that Dicky
started handicapped. He saw it himself for a breath or two; but he did
not guess the full beauty of his future.
Public-domain text, read in full here on John Shaqi.
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