British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction; Short stories, English
The lights were all cloaked in the front of the house when we arrived. I
could hear awful noises from behind the seal-cutter's shop-front, as if
some one were groaning his soul out. Suddhoo shook all over, and while
we groped our way upstairs told me that the jadoo had begun. Janoo and
Azizun met us at the stair-head, and told us that the jadoo-work was
coming off in their rooms, because there was more space there. Janoo is
a lady of a freethinking turn of mind. She whispered that the jadoo was
an invention to get money out of Suddhoo, and that the seal-cutter would
go to a hot place when he died. Suddhoo was nearly crying with fear
and old age. He kept walking up and down the room in the half light,
repeating his son's name over and over again, and asking Azizun if
the seal-cutter ought not to make a reduction in the case of his own
landlord. Janoo pulled me over to the shadow in the recess of the carved
bow-windows. The boards were up, and the rooms were only lit by one tiny
lamp. There was no chance of my being seen if I stayed still.
Presently, the groans below ceased, and we heard steps on the staircase.
That was the seal-cutter. He stopped outside the door as the terrier
barked and Azizun fumbled at the chain, and he told Suddhoo to blow out
the lamp. This left the place in jet darkness, except for the red glow
from the two huqas that belonged to Janoo and Azizun. The seal-cutter
came in, and I heard Suddhoo throw himself down on the floor and groan.
Azizun caught her breath, and Janoo backed to one of the beds with a
shudder. There was a clink of something metallic, and then shot up a
pale blue-green flame near the ground. The light was just enough to show
Azizun, pressed against one corner of the room with the terrier between
her knees; Janoo, with her hands clasped, leaning forward as she sat on
the bed; Suddhoo, face down, quivering, and the seal-cutter.
Public-domain text, read in full here on John Shaqi.
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