City planning -- Illinois -- Chicago -- History -- 20th century
Not one roadway only, but the whole boulevard connection, 246 feet
wide, should rise gradually from Randolph Street, and every store and
building, both on the east side and on the west side of the parkway,
north as well as south of the river, would naturally open on the level
of the boulevard, exactly as the shops or hotels open on Michigan
Avenue south of Randolph Street. Furthermore, every building facing on
the boulevard connection would have direct access to the lower level
under the elevation (except for a portion of one block at each end),
so that goods could be brought into the buildings conveniently. This
lower level, well lighted, ventilated, and protected from weather,
would afford ideal conditions for handling commercial traffic. Part
or all of it could be solidly filled in if the authorities and the
property owners deemed this more desirable; it would not be necessary
to have all of the lower level open. From this lower level at street
intersections there would be inclined roadways or ramps, giving
comfortable facilities for pedestrians or carriages to reach the
parkway. It would not be necessary to place these ramps at exactly the
points where they are shown in the design; but they could be moved to
the east side of the parkway if for any reason that side offered an
advantage; or they could be eliminated if considered unnecessary.
[Illustration: CXVI. CHICAGO. VIEW OF PINE STREET.
The Waterworks tower is shown as a marker in the vista of the proposed
boulevard to connect the North and South Sides.]
The proposed bridge has two decks. The lower one, being designed for
commercial traffic, would provide for the present heavy teaming moving
north and south over the Rush Street bridge, without interrupting the
teaming during the construction of the new parkway, as the old bridge
could be retained until the completion of the new one.
[Illustration: CXVII. PARIS. VIEW OF THE RUE DE LA PAIX AND THE COLUMN
VENDÔME.]
Public-domain text, read in full here on John Shaqi.
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