Plant Lore, Legends, and Lyrics: Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant KingdomFolkard, Richard
History
Plant Lore, Legends, and Lyrics: Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant Kingdom
Folkard, Richard
Plants -- Folklore
Of the flowers consecrated to their deities by the symbol-worshipper of
India and Egypt, the most prominent is the sacred Lotus, whose leaf was
the “emblem and cradle of creative might.” It was anciently revered in
Egypt as it is now in Hindustan, Thibet, and Nepaul, where the people
believe it was in the consecrated bosom of this plant that Brahma was
born, and that Osiris delights to float. From its peculiar organisation
the Lotus is virtually self-productive: hence it became the symbol of
the reproductive power of all nature, and was worshipped as a symbol of
the All-Creative Power. The same floral symbol occurs wherever in the
northern hemisphere symbolic religion has prevailed. The sacred images
of the Tartars, Japanese, and Indians are almost all represented as
resting upon Lotus-leaves. The Chinese divinity, Puzza, is seated in
a Lotus, and the Japanese god is represented sitting in a Water-Lily.
The Onion was formerly held in the highest esteem as a religious
symbol in the mysterious solemnities and divinations of the Egyptians
and Hindus. In the first place, its delicate red veins and fibres
rendered it an object of veneration, as typifying the blood, at the
shedding of which the Hindu shudders. Secondly, it was regarded as an
astronomical emblem, for on cutting through it, there appeared beneath
the external coat a succession of orbs, one within another, in regular
order, after the manner of revolving spheres. The Rose has been made a
symbolic flower in every age. In the East, it is the emblem of virtue
and loveliness. The Egyptians made it a symbol of silence; the Romans
regarded it as typical of festivity. In modern times it is considered
the appropriate symbol of beauty and love,--the half-expanded bud
representing the first dawn of the sublime passion, and the full-blown
flower the maturity of perfect love. The Asphodel, like the Hyacinth
of the ancients, was regarded as an emblem of grief and sorrow. The
Myrtle, from its being dedicated to Venus, was sacred as a symbol of
love and beauty. White flowers were held to be typical of light and
innocence, and were consecrated to virgins. Sombre and dark-foliaged
plants were held to be typical of disaster and death.
Public-domain text, read in full here on John Shaqi.
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