The tree was introduced into Europe in 1639, and is named after G. J. Kamel, or Camellus, a Moravian Jesuit, and traveller in Asia, who, returning to Spain from the Isle of Luzon, sought an audience of Queen Maria Theresa, and presented her with a mother-o’-pearl vase, in which grew a small shrub with glossy green leaves, bearing two flowers of dazzling whiteness. Plucking the fair bloom, she ran to the king’s chamber, which he was pacing in one of his periodical fits of melancholy. “Behold the new flower of the Philippines,” she cried, as her husband welcomed her with a fond embrace; “I have kept the best for you; the other you shall present to-night to Rosalez, who plays so well in Cinna, at the Theatre del Principe.” Ferdinand pronounced the flower of which his wife was so enraptured to be “beautiful but scentless,” but spite of the latter defect, the plant was assiduously cultivated in the hothouses of El Buen Retiro, and called after the giver, the Camellia.----In Japan, the Camellia is a large and lofty tree, greatly esteemed by the natives for the beauty of its flowers and evergreen foliage, and grown everywhere in their groves and gardens: it is also a native of China, and figures frequently in Chinese paintings. The _Camellia Sasanqua_, the _Cha-Hwa_ of the Chinese, has fragrant flowers, and its dried leaves are prized for the scent obtained from them; a decoction is used by the ladies of China and Japan as a hair-wash.----This shrub so resembles the Tea-plant, both in leaf and blossom, that they are not readily distinguished: the leaves are mixed with Tea to render its odour more grateful. =CAMPANULA.=--One of the chief favourites in the family of Campanulaceæ, or Bell-flowers, is _Campanula Speculum_, or Venus’s Looking-glass. The English name was given to this little plant probably because its brilliant corollas appear to reflect the sun’s rays, although some authorities state that it is so called from the glossiness of the seeds. Still another derivation is the resemblance of the flower’s round-shaped bloom to the form of the mirror of the ancients, which was always circular; and the plant being graceful and extremely pretty, it was appropriated to the Goddess of Beauty. The classics, however, ignore all these derivations, and give us the following account of the origin of the “Floral bough that swingeth And tolls its perfume on the passing air.”