Plant Lore, Legends, and Lyrics: Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant KingdomFolkard, Richard
History
Plant Lore, Legends, and Lyrics: Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant Kingdom
Folkard, Richard
Plants -- Folklore
Striking features of the Japanese festival on New Year’s Day are the
decorations erected in front of nearly every door, of which Mr. Dixon
tells us the principal objects are, on the right a _Pinus densiflora_,
on the left a _P. Thunbergius_, both standing upright: the former is
supposed to be of the female and the latter of the male sex, and both
symbolise a robust age that has withstood the storms and trials of
life. Immediately behind each of the Pines is a Bamboo, the straight
stem of which, with the knots marking its growth, indicates hale life
and fulness of years. A straw rope of about six feet in length connects
the Bamboos seven or more feet from the ground, thus completing the
triumphal arch. In the centre of the rope (which is there to ward off
evil spirits) is a group in which figures a scarlet lobster, the bent
back of which symbolises old age: this is embedded in branches of the
_Melia Japonica_, the older leaves of which still remain after the
young ones have burst forth. So may the parents continue to flourish
while children and grandchildren spring forth! Another plant in the
central group is the _Polypodium dicotomon_, a Fern which is regarded
as a symbol of conjugal life, because the fronds spring in pairs
from the stem. There are also bunches of seaweed, which have local
significance, and a lucky bag, filled with roasted Chesnuts, the seeds
of the _Torreya nucifera_, and the dried fruit of the _Kaki_.
Garlands, Chaplets, and Wreaths.
All the nations of antiquity--Indians, Chinese, Medes, Persians,
Assyrians, Chaldeans, Egyptians, Hebrews, Greeks, and Romans--were
accustomed to deck themselves, their altars, and their dwellings with
flowers, and to weave chaplets and garlands of leaves and blossoms.
In the Vedic _Vishnupurâna_, the sage Durvâsas (one of the names of
Siva, the destroyer), receives of the goddess Srî (the Indian Venus)
a garland of flowers gathered from the trees of heaven. Proceeding on
his way, he meets the god Indra, seated on an elephant, and to pay
him homage he places on his brow the garland, to which the bees fly
in order to suck the ambrosia. The Persians were fond of wearing on
their heads crowns made of Myrrh and a sweet-smelling plant called
Labyzus. Antiochus Epiphanes, the Syrian king, once held some games at
Daphne, to which thousands of guests were invited, who, after being
richly feasted, were sent away with crowns of Myrrh and Frankincense.
Josephus, in his history of the Jews, has recorded the use of crowns
in the time of Moses, and on certain occasions the mitre of the High
Priest was adorned with a chaplet of Henbane (_Hyoscyamus niger_).
Wreaths and chaplets were in common use among the Egyptians at a
very early period; and although the Lotus was principally preferred
in their formation, many other flowers and leaves were employed--as
of the Chrysanthemum, Acinos, Acacia, Strychnos, Persoluta, Anemone,
Convolvulus, Olive, Myrtle, Amaracus, Xeranthemum, Bay-tree, and
others.
Public-domain text, read in full here on John Shaqi.
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