Plant Lore, Legends, and Lyrics: Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant KingdomFolkard, Richard
History
Plant Lore, Legends, and Lyrics: Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant Kingdom
Folkard, Richard
Plants -- Folklore
Plutarch says that when Agesilaus visited Egypt, he was so
delighted with the chaplets of Papyrus sent him by the King, that he
took some home when he returned to Sparta. In India, Greece, and Rome,
the sacrificial priests were crowned, and their victims were decorated
with garlands of flowers.
In ancient Greece and Rome the manufacture of garlands and chaplets
became quite an art, so great was the estimation in which these
adornments were held by these highly-civilised nations. With them the
composition of a garland possessed a deep significance, and warriors,
statesmen, and poets alike coveted these simple insignia at the hands
of their countrymen. Pliny tells us that the Sicyonians were considered
to surpass all other people in the art of arranging the colours of
garlands and imparting to them the most agreeable mixture of perfumes.
They derived this taste from Glycera, a woman so skilled in the art of
arranging chaplets and garlands that she won the affection of Pausias,
a celebrated painter, who delighted in copying the wreaths of flowers
so deftly arranged by his mistress. Some of these pictures were still
in existence when Pliny wrote, four hundred and fifty years after they
were painted. Cato, in his treatise on gardens, directs specially that
they should be planted with such flowers as are adapted for chaplets
and wreaths. Pliny states that Mnestheus and Callimachus, two renowned
Greek physicians, compiled several books on the virtues of chaplets,
pointing out those hurtful to the brain, as well as those which had
a beneficial influence on the wearer; for both Greeks and Romans had
found, by experience, that certain plants and flowers facilitated the
functions of the brain, and assisted materially to neutralise the
inebriating qualities of wine. Thus, as Horace tells us, the floral
chaplets worn by guests at feasts were tied with the bark of the Linden
to prevent intoxication.
“I tell thee, boy, that I detest
The grandeur of a Persian feast;
Nor for me the binder’s rind
Shall no flow’ry chaplet bind.
Then search not where the curious Rose,
Beyond his season loitering grows;
But beneath the mantling Vine,
While I quaff the flowing wine,
The Myrtle’s wreath shall crown our brows,
While you shall wait and I carouse.”
Public-domain text, read in full here on John Shaqi.
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