England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction; Poets -- Fiction; Sisters -- Fiction
Pauline and Guy with their formal engagement in sight were careful to
give no excuse for a postponement by abusing their privileges. The river
was now much overgrown with weeds, and in the last week of July rough
weather set in which kept them in the Rectory a good deal on the
occasions when they met. Guy, too, was harder at work than he had been
all the Summer. The fact of being presently engaged in the eyes of the
world was sufficiently exciting for Pauline to console her for the
shorter time spent with Guy. Moreover, she was so grateful to her family
for not opposing the publication of the engagement that she tried
particularly to impress them with the sameness of herself,
notwithstanding her being in love with Guy. It happened, therefore, that
the old manner of existence at the Rectory reasserted itself for a
while; the music in the evenings, the mornings in the garden,
everything, indeed, that could make the family suppose that she was set
securely in the heart of their united life.
"When you and Margaret marry," Monica announced, one afternoon when the
three sisters were in their nursery, "I really think I shall become a
nun."
"But we can't all leave Father and Mother!" Pauline exclaimed, shocked
at the deserted prospect.
"Now isn't that like people in love?" said Monica.
"Ah, but, anyway, I shall only be living at Plashers Mead," Pauline went
on. "So they won't be left entirely alone."
"And as I probably sha'n't ever make up my mind to be married," Margaret
added, "and as I've yet to meet the Mother Superior whom Monica could
stand for more than a week, it seems probable that everything at the
Rectory will go on pretty much the same."
"Margaret, you will marry. I can't think why you talk like that. If you
don't intend to marry Richard, you ought to tell him so now, and not
keep him any longer in uncertainty."
Pauline realized that Margaret did not like this direct attack, but it
was so rarely that Margaret made it possible even to allude to Richard
that she had to take the opportunity.
"I don't think I've interfered much with you and Guy," said Margaret.
"Is it necessary that you should settle my affairs?"
"Oh, don't speak so unkindly to me, Margaret. I'm not trying to
interfere. And, anyway, you do criticize Guy and me. Both you and Monica
criticize us."
"Only when you tell us we don't understand about love."
"Well, you don't."
"All of us don't want to be in love quite so obviously as you," said
Margaret. "And Monica agrees with me."
Monica nodded.
"Well, it's my character," said Pauline. "I always knew that when I did
fall in love I should fall dreadfully deep in love. I don't want to be
thinking all the while about my personal dignity. I adore Guy. Why
shouldn't I show it? Margaret loves Richard, but simply because she's so
self-conscious she can't bear to show it. You call me morbid, Margaret,
but I call you much more morbid than I."
Public-domain text, read in full here on John Shaqi.
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