Miss Verney's conversation scarcely ever stopped, and while Pauline was writing letters it was always particularly brisk, but she used to enjoy the accompaniment as she would have enjoyed the twittering of a bird. It seemed to inspire her letters with the equable gaiety that Guy was so glad to think was coming back to her. His own letters were invariably cheerful, and Pauline began to count the days to the time when she would see him again. Easter had gone by, and the weather was so steadily fine that it was a pity not to be together. He wrote of primroses awaiting her footsteps in the forest, of blue dog-violets and cowslips in the hollows of Wychford down, of all the birds that were now arrived in England, of the cuckoo's first call, and of the first swallow seen. Come back soon, my own, my sweet [he wrote]. Come back and let this Winter be all forgotten. I climbed up to the top of the church tower to-day, and oh, the tulips in your garden, and oh, the emptiness of that garden notwithstanding! Come back, my Pauline, for you'll see the iris buds in the paddock and you've no idea of the way in which that river of ours sparkles on these April mornings. I wish I could tell you how remote this Winter already has grown. It has crept out of memory like a dejected nightmare at breakfast. You are never to think again about the stupid things I've said about religion: think only, my dearest, that I hope always for your faith. It would be dishonest of me to say that I believe now exactly as you believe, but I want to believe like that. Perhaps I'm illogical in writing this: perhaps all the time I do believe. Forget too what I said about Confession. I would almost go myself to prove my penitence (to you!), but I just can't bring myself to do that, because for me it really would be useless and would turn me against everything you count as holy. Forget all that has cast a shadow on our love. Count it all as my heedlessness and be confident that I alone was to blame. I would write more, but letters are such impossible things for intimacy. Some people can pour out their souls on paper: I can't. That's really what my poems suffer from. I have been working at them again since you were away, and they have a kind of coldness, a sort of awkward youthful reserve. Perhaps that's better than youthful exuberance, and yet I don't know. One can prune the too prodigal growth, but one can't always be sure of having the prodigality when one has the maturity. The metaphors seem to be getting rather tied up, and you must be bored by now with my chattering criticism.