We can imagine some champion of the Muses pointing to the mass and
excellence of the poetry which has been created during the last hundred
years; to the work of Goethe, Schiller, Heine, Wordsworth, Shelley,
Byron, Keats, Coleridge, Scott, Beranger, Victor Hugo, De Musset,
Leopardi, Longfellow, Browning, Arnold, Tennyson, Morris; to the immense
and varied fertility, to the creative and emotional power, of makers
like these, displayed during the most "enlightened"--that is to say, we
presume, the most rationalistic and scientific--century the world has
yet passed through. We can imagine him asking whether, in all the past
history of the human race, so great a zeal for poetry, romantic,
lyrical-descriptive, speculative, has ever been manifested at once in
such force and width in England, Germany, France, America. And we can
fancy him completely satisfied with that single phenomenon. We can also
imagine him setting opinion against opinion, outweighing Macaulay with
the greater name of Wordsworth and Macaulay's disciples with the name of
Matthew Arnold. We can hear him answering the assertion that in "the
advance of civilization" poetry must necessarily decline, with the
declaration of the most single-hearted poet of our century, that "poetry
is the first and last of all knowledge--it is immortal as the heart of
man. If the labours of men of science should ever create any material
revolution, direct or indirect, in our condition, and in the impressions
which we habitually receive, the poet will sleep then no more than at
present; he will be ready to follow the steps of the man of science ...
carrying the sensation into the midst of the objects of the science
itself." And we can suppose our champion willing to abide in that faith,
because "the master hath said it."
But it is our present concern to go somewhat more closely to the heart
of the question, to consider without bias how much truth there really is
in this prediction that poetry must of necessity decline with the
advance of science and the "progress" of society.
Public-domain text, read in full here on John Shaqi.
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