than the dull and melancholy prospect which is conjured up before us. Even in this age of science, we entertain such feelings. And if we ourselves feel so, it is simply because humanity is so constituted, and no science, no democracy, no learning, invention or legislation can ever drive out human nature from human beings. It is on grounds like these that Matthew Arnold declares, "More and more mankind will discover that we have to turn to poetry to interpret life for us, to console us, to sustain us. Without Poetry our science will appear incomplete." "Incomplete" is a right word, though a very weak one; "incomplete," not untrue, not pernicious, but terribly inadequate. For there are two manners of looking at the universe and at the life of men, and human nature demands that we should exercise and enjoy them both. "The words poetry, philosophy, art, science," says Renan, "betoken not so much different objects proposed for the intellectual activity of man, as different manners of looking at the same object--which object is existence in all its manifestations," and, "if we understand by poetry the faculty which the soul has of being touched in a certain manner, of giving forth a certain sound of a particular and indefinable nature in the face of the beauty of things, he who is not a poet is not a man." True poetry does not imply fiction, unreality, misrepresentation. The true poet is not a deluded dreamer and a visionary. The scientist tells us certain facts about existing things, the poet draws forth the beauties and suggestions of those facts, brings them into moral and emotional connexion with ourselves, makes them, at his best, effective on our conduct. Human nature can never be satisfied with the bare objective facts. It must "disengage the elements of beauty" and goodness from them.