And equation being duly made of what is merely personal and temporary
in Plato's view of the arts, it may be salutary to return from time to
time to the Platonic aesthetics, to find ourselves under the more
exclusive influence of those qualities in the Hellenic genius he has
thus emphasised. What he would promote, then, is the art, the
literature, of which among other things it may be said that it solicits
a certain effort from the reader or spectator, who is promised a great
expressiveness on the part of the writer, the artist, if he for his
part will bring with him a great attentiveness. And how satisfying,
how reassuring, how flattering to himself after all, such work really
is--the work which deals with one as a scholar, formed, mature and
manly. Bravery--andreia+ or manliness--manliness and temperance, as we
know, were the two characteristic virtues of that old pagan world; and
in art certainly they seem to be involved in one another. Manliness in
art, what can it be, as distinct from that which in opposition to it
[281] must be called the feminine quality there,--what but a full
consciousness of what one does, of art itself in the work of art,
tenacity of intuition and of consequent purpose, the spirit of
construction as opposed to what is literally incoherent or ready to
fall to pieces, and, in opposition to what is hysteric or works at
random, the maintenance of a standard. Of such art êthos+ rather than
pathos+ will be the predominant mood. To use Plato's own expression
there will be here no paraleipomena,+ no "negligences," no feminine
forgetfulness of one's self, nothing in the work of art unconformed to
the leading intention of the artist, who will but increase his power by
reserve. An artist of that kind will be apt, of course, to express
more than he seems actually to say. He economises. He will not spoil
good things by exaggeration. The rough, promiscuous wealth of nature
he reduces to grace and order: reduces, it may be, lax verse to staid
and temperate prose. With him, the rhythm, the music, the notes, will
be felt to follow, or rather literally accompany as ministers, the
sense,--akolouthein ton logon.+
Public-domain text, read in full here on John Shaqi.
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