The modern critics, who proclaim the Hipparchus not to be the work of Plato, allege as one of the proofs of spuriousness, the occurrence of this long narrative and comment upon the historical Hipparchus and his behaviour; which narrative (the critics maintain) Plato would never have introduced, seeing that it contributes nothing to the settlement of the question debated. But to this we may reply, first, That there are other dialogues[33] (not to mention the Minos) in which Plato introduces recitals of considerable length, historical or quasi-historical recitals; bearing remotely, or hardly bearing at all, upon the precise question under discussion; next,--That even if no such analogies could be cited, and if the case stood single, no modern critic could fairly pretend to be so thoroughly acquainted with Plato's views and the surrounding circumstances, as to put a limit on the means which Plato might choose to take, for rendering his dialogues acceptable and interesting. Plato's political views made him disinclined to popular government generally, and to the democracy of Athens in particular. Conformably with such sentiment, he is disposed to surround the rule of the Peisistratidæ with an ethical and philosophical colouring: to depict Hipparchus as a wise man busied in instructing and elevating the citizens; and to discredit the renown of Harmodius and Aristogeiton, by affirming them to have been envious of Hipparchus, as a philosopher who surpassed themselves by his own mental worth. All this lay perfectly in the vein of Plato's sentiment; and we may say the same about the narrative in the Minos, respecting the divine parentage and teaching of Minos, giving rise to his superhuman efficacy as a lawgiver and ruler. It is surely very conceivable, that Plato, as a composer of ethical dialogues or dramas, might think that such recitals lent a charm or interest to some of them. Moreover, something like variety, or distinctive features as between one dialogue and another, was a point of no inconsiderable moment. I am of opinion that Plato did so conceive these narratives. But at any rate, what I here contend is, that no modern critics have a right to assume as certain that he did not. [Footnote 33: See Alkibiad. ii. pp. 142-149-150; Alkibiad. i. pp. 121-122: Protagoras, 342-344; Politikus, 268 D., [Greek: schedo\n paidia\n e)gkerasame/nous] and the two or three pages which follow.