Playing with Fire: A Story of the Soudan WarGrant, James
General
Playing with Fire: A Story of the Soudan War
Grant, James
Sudan -- Fiction
Unnoticed he traversed the picturesque streets that lay between the
citadel and the gate that led by a straight road towards the castle
and gardens of Ghizeh, passing the groups and features incident to
Cairo: a lumbering train of British baggage waggons, escorted by our
soldiers in clay-coloured khakee with bayonets fixed; an Egyptian
officer in sky-blue uniform and red tarboosh 'tooling' along on a
circus-like Arab; a whole regiment of darkies, perhaps with rattling
drums and French bugles; strings of maimed, deformed, and blind
beggars; private carriages with outriders in Turkish costumes of
white muslin with gold embroideries, and bare-legged grooms; 'the
gallant, gray donkeys of which Cairo is so proud, and which the
Cairenes delight in naming after European celebrities, from Mrs.
Langtry to Lord Wolseley;' singers of Nubian and Arabian songs and
dealers in Syrian magic, all were left behind, and in the cool air of
the morning Malcolm Skene found himself ambling on his camel under
the shadows of the lebbek trees, with wading buffaloes and flocks of
herons on either side of the road as he skirted the plain where the
Pyramids stand--the Pyramids that mock Time, which mocks all things.
He was too familiar with them then to bestow on them more than a
passing glance, and rode forward on his somewhat lonely way. Hassan,
his guide, like a true Arab, uttered a mocking yell on seeing the
vast stony face of the Sphinx--an efrit--fired a pistol, and threw
stones at it, as at a devil, and then civilization was left behind.
Trusting to his guide Hassan, Skene was taken a few miles off his
direct route southward down the left bank of the Nile, and while
riding on, turning from time to time to converse with that personage,
who was a typical Fellah--very dark-skinned, with good teeth, black
and sparkling eyes, muscular of form, yet spare of habit, and clad
simply in loose blue cotton drawers with a blue tunic and red
tarboosh--it seemed that his face and voice were somehow not
unfamiliar to him.
But where, amid the thousands of low-class Fellaheen in Cairo, could
Malcolm Skene have seen the former or heard the latter? Never before
had he heard of Hassan Abdullah even by name. But 'strange it is,
for how many days and weeks we may be haunted by a _likeness_ before
we know what it is that is gladdening us with sweet recollections, or
vexing us with some association we hoped to have left behind.'
Public-domain text, read in full here on John Shaqi.
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