Playing with Fire: A Story of the Soudan WarGrant, James
General
Playing with Fire: A Story of the Soudan War
Grant, James
Sudan -- Fiction
The desert now traversed by Skene was composed of coarse sand,
abounding in some places with shells, pebbles, and a species of salt.
In some parts the soil was shifting, and so soft that the feet--even
of his camel--sank into it at every step; at others it was hard as
beaten ground. Here and there grew a few patches of prickly plants,
such as he remembered to have seen in botanic gardens at home, with
small hillocks of drifted sand gathered round them; and as he rode on
he felt as if he had about him the awful sensations of vastness,
silence, and the sublimity of a calm and waveless ocean--but an ocean
of sand, arid, and gloomy, dispiriting and suggestive of death--but
to the European only; as the Bedouins, whose native soil it is, are,
beyond all other nations and races, gay and cheerful.
During August and September the winds in Egypt retain a northerly
direction, and the weather is generally moderate; but Malcolm Skene
was in the desert now, and under the peculiar influences of that
peculiar region.
Then at times is to be encountered the mirage, or Spirit of the
Desert, as the Arabs call it, when the eyes of the wanderer there are
deluded by the seeming motion of distant waves; of tall and graceful
palms tossing feathery leaves in the distance, when only the
sun-scorched sand is lying, mocking him with the false show of what
his soul longs for, and his overheated brain depicts in glowing
colours.
Riding mechanically on--uncomfortably, too, all unused as he was to
the strange ambling action of a camel--oppressed by thirst which he
could see no means of quenching, and knowing not when he might be
able to do so--oppressed, too, by the glare of a cloudless sun
growing hotter and hotter--more mighty than ever it seemed to be
before--Malcolm Skene was soon to become conscious that the sense of
vision was not the only one by which the mysterious desert mocks its
sojourner with fantastic tricks; and once he became sensible of that
strange and bewildering phenomena referred to by the author of
'Eothen' in his experiences of Eastern travel.
He seemed, overpowered by the heat, to fall slowly asleep--was it for
moments or minutes?--he knew not; but he seemed also to be suddenly
awakened by the familiar but far-off sounds of drums beating, to the
wailing of a bagpipe playing 'The March of Lochiel,' as he had often
heard it played by the Queen's Own Cameron Highlanders, in the
citadel of Cairo.
He started and listened, his first idea being naturally that he was
partly under the power of a dream; but it seemed as if minutes passed
ere these sounds, in steady marching cadence, became fainter and then
died away.
Public-domain text, read in full here on John Shaqi.
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