Playing with Fire: A Story of the Soudan WarGrant, James
General
Playing with Fire: A Story of the Soudan War
Grant, James
Sudan -- Fiction
In his tent, he was roused from an uneasy dream that he was again
lying at the bottom of the Kelpie's Cleugh at Earlshaugh, by an
orderly sergeant, who brought him this welcome command about dawn,
and noon saw him, with a small flotilla of boats freighted with pain
and suffering, take his leave of the South Staffordshire and begin
his journey down the Nile, _viâ_ New Dongola, the cataracts at
Ambigol and elsewhere, by Wady-Halfa and other points where temporary
hospitals or halting-places were established.
Day by day the boats with their melancholy loads, sometimes by oars,
at others with canvas set, had dropped down the Nile between barren
shores overlooked by wild and sterile mountains, where the sick were
almost stunned occasionally by the harsh yells of the watchful Arabs
echoing from rocks and caves! and, after turning a sharp angle,
Roland suddenly saw the island of Phite, with all its numerous
temples, before his flotilla, and as there was a considerable flood
in the river the cataract there became a source of anxiety to him,
and rather abated the interest with which he might otherwise have
surveyed the scene around him.
'Shellal! Shellal!' (the Cataract! the Cataract!) he heard the yells
of the naked Arabs, who hovered on the banks expecting a catastrophe,
which they would have beheld with savage joy.
The soldiers held their breath and hung on their suspended oars, the
blades of which dripped and flashed like gold in the sheen of the
setting sun; yet the boats glided down the foaming rapid without a
sound other than the rush of the water; then came a sudden calm, an
amazing combination of light and colour on shore, and isle, and
stream, with the rays of the moon, in the blue zenith, conflicting
with those of the sun at the horizon.
'On either side,' wrote one who was there, 'walls of overhanging rock
shut in the river, standing in pious guardianship around the sacred
isle. Beneath their frowning blackness lapped and flowed a shining
expanse of water stained with crimson in the sunset's glow, in which
a line of tall and plumy palms were bending in the wind; to the east,
the Libyan sands poured in a golden stream through every cleft and
fissure in the darkling hills; and overhead, and all about, floated a
splendour of reddening fire. From their station they seemed to look
straight into the very heart of the sunset when all the west had
burst into sudden flames of fire. The freshening wind tossed them in
uncertain rise and fall; the melancholy sound of the distant
cataract, and now and then the cry of some night bird cut sharply
through the stillness of the hour. An immense sense of loneliness
brooded over the empty temples and adjacent isles abandoned by their
forgotten gods, whose sculptured faces gazed mournfully out from the
crumbling walls, then flushed with the supreme splendour of the dying
day.
Public-domain text, read in full here on John Shaqi.
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