MADELINE: I think I'm an American. And for that reason I think I have
something to say about America.
EMIL: Huh! America'll lock you up for your pains.
MADELINE: All right. If it's come to that, maybe I'd rather be a
locked-up American than a free American.
EMIL: I don't think you'd like the place, Madeline. There's not much
tennis played there. Jesus--what's Hindus?
MADELINE: You aren't really asking Jesus, are you, Emil? (_smiles_) You
mightn't like his answer.
EMIL: (_from the door_) Take a tip. Telephone your uncle.
(_He goes_.)
IRA: (_not looking at her_) There might be a fine, and they'd come down
on me and take my land.
MADELINE: Oh, no, father, I think not. Anyway, I have a little money of
my own. Grandfather Morton left me something. Have you forgotten that?
IRA: No. No, I know he left you something. (_the words seem to bother
him_) I know he left you something.
MADELINE: I get it to-day. (_wistfully_) This is my birthday, father.
I'm twenty-one.
IRA: Your birthday? Twenty-one? (_in pain_) Was that twenty-one years
ago? (_it is not to his daughter this has turned him_)
MADELINE: It's the first birthday I can remember that I haven't had a
party.
IRA: It was your Aunt Isabel gave you your parties.
MADELINE: Yes.
IRA: Well, you see now.
MADELINE: (_stoutly_) Oh, well, I don't need a party. I'm grown up now.
(_She reaches out for the old Hungarian dish on the table; holding it,
she looks to her father, whose back is still turned. Her face tender,
she is about to speak when he speaks_.)
IRA: Grown up now--and going off and leaving me alone. You too--the last
one. And--_what for? (turning, looking around the room as for those long
gone_) There used to be so many in this house. My grandmother. She sat
there. (_pointing to the place near the open door_) Fine days like
this--in that chair (_points to the rocker_) she'd sit there--tell me
stories of the Indians. Father. It wasn't ever lonely where father was.
Then Madeline Fejevary--my Madeline came to this house. Lived with me in
this house. Then one day she--walked out of this house. Through that
door--through the field--out of this house. (_bitter silence_) Then
Fred--out of this house. Now you. With Emil Johnson! (_insanely, and
almost with relief at leaving things more sane_) Don't let him touch my
corn. If he touches one kernel of this corn! (_with the suspicion of the
tormented mind_) I wonder where he went? How do I know he went where he
_said_ he was going? (_getting up_) I dunno as that south bin's locked.
MADELINE: Oh--father!
IRA: I'll find out. How do I know what he's doing?
(_He goes out, turning left_. MADELINE _goes to the window and looks
after him. A moment later, hearing someone at the door, she turns and
finds her_ AUNT ISABEL, _who has appeared from right. Goes swiftly to
her, hands out_.)
MADELINE: Oh, _auntie_--I'm glad you came! It's my birthday, and
I'm--lonely.
Public-domain text, read in full here on John Shaqi.
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