Great Britain -- History; Theater -- Great Britain -- History; Theater -- Moral and ethical aspects; Theater -- Religious aspects
Fair Patience, too, though she was a Puritan; yet did not her cheek
flush, her eye grow dim, like any other girl’s, as she saw far off the
red coat, like a sliding spark of fire, coming slowly along the strait
fen-bank, and fled upstairs into her chamber to pray, half that it might
be, half that it might not be he? Was there no happy storm of human
tears and human laughter when he entered the courtyard gate? Did not the
old dog lick his Puritan hand as lovingly as if it had been a Cavalier’s?
Did not lads and lasses run out shouting? Did not the old yeoman father
hug him, weep over him, hold him at arm’s length, and hug him again, as
heartily as any other John Bull, even though the next moment he called
all to kneel down and thank Him who had sent his boy home again, after
bestowing on him the grace to bind kings in chains and nobles with links
of iron, and contend to death for the faith delivered to the saints? And
did not Zeal-for-Truth look about as wistfully for Patience as any other
man would have done, longing to see her, yet not daring even to ask for
her? And when she came down at last, was she the less lovely in his eyes
because she came, not flaunting with bare bosom, in tawdry finery and
paint, but shrouded close in coif and pinner, hiding from all the world
beauty which was there still, but was meant for one alone, and that only
if God willed, in God’s good time? And was there no faltering of their
voices, no light in their eyes, no trembling pressure of their hands,
which said more, and was more, ay, and more beautiful in the sight of Him
who made them, than all Herrick’s Dianemes, Waller’s Saccharissas,
flames, darts, posies, love-knots, anagrams, and the rest of the
insincere cant of the court? What if Zeal-for-Truth had never strung two
rhymes together in his life? Did not his heart go for inspiration to a
loftier Helicon when it whispered to itself, ‘My love, my dove, my
undefiled, is but one,’ than if he had filled pages with sonnets about
Venuses and Cupids, lovesick shepherds and cruel nymphs?
And was there no poetry, true idyllic poetry, as of Longfellow’s
‘Evangeline’ itself in that trip round the old farm next morning; when
Zeal-for-Truth, after looking over every heifer, and peeping into every
sty, would needs canter down by his father’s side to the horse-fen, with
his arm in a sling; while the partridges whirred up before them, and the
lurchers flashed like gray snakes after the hare, and the colts came
whinnying round, with staring eyes and streaming manes; and the two
chatted on in the same sober businesslike English tone, alternately of
‘The Lord’s great dealings’ by General Cromwell, the pride of all honest
fen-men, and the price of troop-horses at the next Horncastle fair?
Public-domain text, read in full here on John Shaqi.
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