Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
General
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
Drama
Nothing can be its own reward and hold
Rank above patience, or whatever game,
Angling or avarice, is selfisher.
O watering palates! and, O skyey grapes!
O purple path above the milky way!
Give me to dream dreams all would love to dream;
To tell the world's truth; hear the world tramp time
With satin slippers and with hob-nailed shoes
To my true singing: fame is worth its cost,
Blood-sweats, and tears, and haggard, homeless lives.
How dare a man, appealing to the world,
Content himself with ten! How dare a man
Appeal to ten when all the world should hear!
How dare a man conceive himself as else
Than his own fool without the world's hurrah
To echo him!
Smith. But if the world won't shout
Till he be dead?
Hallowes. Let him address the street:
No subtle essences, ethereal tones
For senses sick, bed-ridden in the down
Of culture and its stifling curtains. Gusts
From bean-fields and the pine-woods, thought and deed
Of the young world bursting its swaddling bands
Before the upturned eyes and warning palms
Of fangless Use and Wont, his nurses hoar--
These find an echo everywhere.
Smith. The world
Still follows culture, though.
Hallowes. Maybe. But it
Follows itself, and shall, Narcissus-like,
Perish of self-love.
Smith. Echo, what of her?
Hallowes. She shall be re-incarnate by the word
That she shall hear.
Smith. What word?
Hallowes. It is not said.
Smith. Who shall pronounce it?
Hallowes. Who knows?--You, or I?
Smith. Well said! We'll go together to the North.
Hallowes. What! are you free?
Smith. I am. You want to write:
I want to think. When shall we start?
Hallowes. To-morrow.
Smith. So soon! But you are right: one must become
Fanatic--be a wedge--a thunder-bolt,
To smite a passage through the close-grained world.
[They go out.
ACT II
SCENE.--An arbour in Graham's orchard. Enter Smith, Hallowes, and Graham.
Public-domain text, read in full here on John Shaqi.
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