Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
General
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
Drama
Noisome and terrible as hooded snakes.
Magdalen. What do you mean? what spells? what sorcery?
Smith. The hydra-headed creeds; the sciences,
That deem the thing is known when it is named;
And literature, thought's palace-prison fair;
Philosophy, the grand inquisitor
That racks ideas and is fooled with lies;
Society, the mud wherein we stand
Up to the eyes, whence if I drag you forth,
Saving your soul and mine, there shall ascend
A poisonous blast that may o'ertake our lives.
Magdalen. I feel a meaning in your eloquence;
I see my poor thoughts made celestial
Like faded women Jove hung in the sky.
Obey my nature, sir? How shall I know
The voice of nature from the thousand cries,
That clamour in my head like piteous birds,
Filling the air about a lonely isle
With ringing terror when the hunter comes.
Smith. Shut out the storm and heed the still, small voice.
Magdalen. Have pity. Yet I think the woman's dream
Is given me--the strong deliverer
To pluck her from the dragon's jaws unharmed.
What can I say? Rest still your eyes on mine,
And I shall dare to speak. I love you, sir;
And I have loved you since I was a girl--
You, only you. Good-bye. Oh, in my life--
A miracle, I think, as this world goes--
I met the living image of my dream,
And was found worthy to be loved! Good-bye.
I seem to see my daughter at my knees,
Listening with violet eyes of heaven-wide awe,
The virgin story I shall utter once
To her, only to her.
Smith. And so, you go
To hell.
Magdalen. Ay, even so: my father's word
Is plighted to this man, and so is mine.
Perhaps, that I may know this is no dream--
Sir, will you kiss me?
[He folds her in his arms and kisses her.
Smith. You are faint, my love.
Magdalen. Oh, have pity, sir!
Smith. I will have pity.
[Goes out carrying her. Then enter Brown. He goes out after them, and
re-enters running as the curtain falls.
ACT III
SCENE.--The top of Mount Merlin: a precipice on one side: rocks on the
other. Hallowes is discovered lying with a note-book by his side.
Public-domain text, read in full here on John Shaqi.
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