Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
General
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
Drama
Brown. Truth is an airy point between two cliffs
Of adamant opinion: safest he
Who foots it far from either beetling brink.
Hallowes, now: he goes hanging on the verge
His martyr-face and aspirations strung
With bent keys. If his starting eyes behold
Some tartan star, or other fire-flaught born
Of pallid brains ill-nourished on bleached blood,
It is the truth--truth absolute! And down,
Loosing his hold to clasp his fervid hands,
He'll crash, and spill his life on stones untrod.
Robinson. Fair--very fair, indeed!
Jones. So would not you!
The Bastille Column or St. Paul's at noon,
Where crowds may see your glossy frock-coat fly,
And wax pathetic o'er the exotic spray
That slips the button-hole in middle air,
And twinkling after, lights upon the mess
Of limbs and oozing blood that late was you.
Robinson. Come, let each other be! no answer, Brown;
Because I want to open up a point.
That fellow, Smith--the point is suicide--
He said the other day--why, it was here!--
He would have coffee; we had brandy: well--
You know he speaks to everybody; so,
He cries to Topsy, there, who brought the drink--
He spoils the barmaids with his high-flown talk:
I tried it, and they laughed at me; but he!
He talks philosophy, religion, books:
And they can talk it too, with him. Well, then----
Brown. Pure innocence: the man's a baby.
Jones. Yes.
Uncultured, too; he lacks the college stamp.
Robinson. Well, then, my point----
Brown. Oh, never mind your point!
You've hit it, Jones; "uncultured" is the word.
Give me a man who knows what language means:
No forging sudden bolts that gild the fact,
A bright enough reality before:
Who never says a thing a thousand ways,
Nibbling with slippery sleight-of-tongue, till chance
Expose the end to bite. Give me a man
Whose mind is ready as a lawyer's desk,
Each pigeon-hole accountable for this,
Each drawer containing that, and nothing else.
Jones. Whose thinking's done; whose automatic mind
Strikes the same absolute response each time.
Brown. A man who knows the best of everything;
Consummate, bland; whom novelty annoys,
Guessing what musty masquerade it is
Of some dispute of Lamech and his wives.
Jones. Smith's a mere savage, barbarous as a Lapp:
A handsome creature, but elliptical.
Brown. Something awanting to complete the sense!
Robinson. Fair, very fair! But here's a point: you men
Since you began to go about with Smith,
Have caught a little of his style of talk;
You can't deny his power.
Brown. Power?--seething blood.
Give Jones, or such a man, Smith's body--why,
You'd have the hero of the age! Power? stuff!
Jones. Admit the power--potential as a troop;
But where's the captain?
Brown. Ay; his brain's a mess
Of sodden sawdust; it ferments and fumes:
But, let me say, wood-spirit's not champagne,
In spite of fables to the contrary.
Public-domain text, read in full here on John Shaqi.
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