Plays by Anton Chekhov, Second SeriesChekhov, Anton Pavlovich
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Plays by Anton Chekhov, Second Series
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russian drama -- Translations into English
VERSHININ. What else can I say in parting? Can I philosophize about
anything? [Laughs] Life is heavy. To many of us it seems dull and
hopeless, but still, it must be acknowledged that it is getting lighter
and clearer, and it seems that the time is not far off when it will be
quite clear. [Looks at his watch] It’s time I went! Mankind used to
be absorbed in wars, and all its existence was filled with campaigns,
attacks, defeats, now we’ve outlived all that, leaving after us a great
waste place, which there is nothing to fill with at present; but mankind
is looking for something, and will certainly find it. Oh, if it only
happened more quickly. [Pause] If only education could be added to
industry, and industry to education. [Looks at his watch] It’s time I
went....
OLGA. Here she comes.
[Enter MASHA.]
VERSHININ. I came to say good-bye....
[OLGA steps aside a little, so as not to be in their way.]
MASHA. [Looking him in the face] Good-bye. [Prolonged kiss.]
OLGA. Don’t, don’t. [MASHA is crying bitterly]
VERSHININ. Write to me.... Don’t forget! Let me go.... It’s time. Take
her, Olga Sergeyevna... it’s time... I’m late...
[He kisses OLGA’S hand in evident emotion, then embraces MASHA once more
and goes out quickly.]
OLGA. Don’t, Masha! Stop, dear.... [KULIGIN enters.]
KULIGIN. [Confused] Never mind, let her cry, let her.... My dear Masha,
my good Masha.... You’re my wife, and I’m happy, whatever happens... I’m
not complaining, I don’t reproach you at all.... Olga is a witness to
it. Let’s begin to live again as we used to, and not by a single word,
or hint...
MASHA. [Restraining her sobs] “There stands a green oak by the sea,
And a chain of bright gold is around it....
And a chain of bright gold is around it....”
I’m going off my head... “There stands... a green oak... by the sea.”...
OLGA. Don’t, Masha, don’t... give her some water....
MASHA. I’m not crying any more....
KULIGIN. She’s not crying any more... she’s a good... [A shot is heard
from a distance.]
MASHA. “There stands a green oak by the sea,
And a chain of bright gold is around it...
An oak of green gold....”
I’m mixing it up.... [Drinks some water] Life is dull... I don’t want
anything more now... I’ll be all right in a moment.... It doesn’t
matter.... What do those lines mean? Why do they run in my head? My
thoughts are all tangled.
[IRINA enters.]
OLGA. Be quiet, Masha. There’s a good girl.... Let’s go in.
MASHA. [Angrily] I shan’t go in there. [Sobs, but controls herself at
once] I’m not going to go into the house, I won’t go....
IRINA. Let’s sit here together and say nothing. I’m going away
to-morrow.... [Pause.]
KULIGIN. Yesterday I took away these whiskers and this beard from a boy
in the third class.... [He puts on the whiskers and beard] Don’t I look
like the German master.... [Laughs] Don’t I? The boys are amusing.
MASHA. You really do look like that German of yours.
OLGA. [Laughs] Yes. [MASHA weeps.]
IRINA. Don’t, Masha!
Public-domain text, read in full here on John Shaqi.
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