Plays by Anton Chekhov, Second SeriesChekhov, Anton Pavlovich
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Plays by Anton Chekhov, Second Series
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russian drama -- Translations into English
TROFIMOV. The human race progresses, perfecting its powers.
Everything that is unattainable now will some day be near at hand and
comprehensible, but we must work, we must help with all our strength
those who seek to know what fate will bring. Meanwhile in Russia only
a very few of us work. The vast majority of those intellectuals whom I
know seek for nothing, do nothing, and are at present incapable of hard
work. They call themselves intellectuals, but they use “thou” and “thee”
to their servants, they treat the peasants like animals, they learn
badly, they read nothing seriously, they do absolutely nothing, about
science they only talk, about art they understand little. They are
all serious, they all have severe faces, they all talk about important
things. They philosophize, and at the same time, the vast majority
of us, ninety-nine out of a hundred, live like savages, fighting and
cursing at the slightest opportunity, eating filthily, sleeping in the
dirt, in stuffiness, with fleas, stinks, smells, moral filth, and so
on... And it’s obvious that all our nice talk is only carried on to
distract ourselves and others. Tell me, where are those créches we hear
so much of? and where are those reading-rooms? People only write novels
about them; they don’t really exist. Only dirt, vulgarity, and Asiatic
plagues really exist.... I’m afraid, and I don’t at all like serious
faces; I don’t like serious conversations. Let’s be quiet sooner.
LOPAKHIN. You know, I get up at five every morning, I work from
morning till evening, I am always dealing with money--my own and other
people’s--and I see what people are like. You’ve only got to begin to
do anything to find out how few honest, honourable people there are.
Sometimes, when I can’t sleep, I think: “Oh Lord, you’ve given us huge
forests, infinite fields, and endless horizons, and we, living here,
ought really to be giants.”
LUBOV. You want giants, do you?... They’re only good in stories, and
even there they frighten one. [EPIKHODOV enters at the back of the stage
playing his guitar. Thoughtfully:] Epikhodov’s there.
ANYA. [Thoughtfully] Epikhodov’s there.
GAEV. The sun’s set, ladies and gentlemen.
TROFIMOV. Yes.
GAEV [Not loudly, as if declaiming] O Nature, thou art wonderful, thou
shinest with eternal radiance! Oh, beautiful and indifferent one, thou
whom we call mother, thou containest in thyself existence and death,
thou livest and destroyest....
VARYA. [Entreatingly] Uncle, dear!
ANYA. Uncle, you’re doing it again!
TROFIMOV. You’d better double the red into the middle.
GAEV. I’ll be quiet, I’ll be quiet.
[They all sit thoughtfully. It is quiet. Only the mumbling of FIERS is
heard. Suddenly a distant sound is heard as if from the sky, the sound
of a breaking string, which dies away sadly.]
LUBOV. What’s that?
LOPAKHIN. I don’t know. It may be a bucket fallen down a well somewhere.
But it’s some way off.
GAEV. Or perhaps it’s some bird... like a heron.
TROFIMOV. Or an owl.
Public-domain text, read in full here on John Shaqi.
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