Plays by Anton Chekhov, Second SeriesChekhov, Anton Pavlovich
General
Plays by Anton Chekhov, Second Series
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russian drama -- Translations into English
[A reception-room cut off from a drawing-room by an arch. Chandelier
lighted. A Jewish band, the one mentioned in Act II, is heard playing
in another room. Evening. In the drawing-room the grand rond is being
danced. Voice of SIMEONOV PISCHIN “Promenade a une paire!” Dancers
come into the reception-room; the first pair are PISCHIN and CHARLOTTA
IVANOVNA; the second, TROFIMOV and LUBOV ANDREYEVNA; the third, ANYA and
the POST OFFICE CLERK; the fourth, VARYA and the STATION-MASTER, and
so on. VARYA is crying gently and wipes away her tears as she dances.
DUNYASHA is in the last pair. They go off into the drawing-room,
PISCHIN shouting, “Grand rond, balancez:” and “Les cavaliers à genou
et remerciez vos dames!” FIERS, in a dress-coat, carries a tray with
seltzer-water across. Enter PISCHIN and TROFIMOV from the drawing-room.]
PISCHIN. I’m full-blooded and have already had two strokes; it’s hard
for me to dance, but, as they say, if you’re in Rome, you must do as
Rome does. I’ve got the strength of a horse. My dead father, who liked
a joke, peace to his bones, used to say, talking of our ancestors,
that the ancient stock of the Simeonov-Pischins was descended from that
identical horse that Caligula made a senator.... [Sits] But the trouble
is, I’ve no money! A hungry dog only believes in meat. [Snores and wakes
up again immediately] So I... only believe in money....
TROFIMOV. Yes. There is something equine about your figure.
PISCHIN. Well... a horse is a fine animal... you can sell a horse.
[Billiard playing can be heard in the next room. VARYA appears under the
arch.]
TROFIMOV. [Teasing] Madame Lopakhin! Madame Lopakhin!
VARYA. [Angry] Decayed gentleman!
TROFIMOV. Yes, I am a decayed gentleman, and I’m proud of it!
VARYA. [Bitterly] We’ve hired the musicians, but how are they to be
paid? [Exit.]
TROFIMOV. [To PISCHIN] If the energy which you, in the course of your
life, have spent in looking for money to pay interest had been used
for something else, then, I believe, after all, you’d be able to turn
everything upside down.
PISCHIN. Nietzsche... a philosopher... a very great, a most celebrated
man... a man of enormous brain, says in his books that you can forge
bank-notes.
TROFIMOV. And have you read Nietzsche?
PISCHIN. Well... Dashenka told me. Now I’m in such a position, I
wouldn’t mind forging them... I’ve got to pay 310 roubles the day after
to-morrow... I’ve got 130 already.... [Feels his pockets, nervously]
I’ve lost the money! The money’s gone! [Crying] Where’s the money?
[Joyfully] Here it is behind the lining... I even began to perspire.
[Enter LUBOV ANDREYEVNA and CHARLOTTA IVANOVNA.]
LUBOV. [Humming a Caucasian dance] Why is Leonid away so long? What’s he
doing in town? [To DUNYASHA] Dunyasha, give the musicians some tea.
TROFIMOV. Business is off, I suppose.
LUBOV. And the musicians needn’t have come, and we needn’t have got up
this ball.... Well, never mind.... [Sits and sings softly.]
Public-domain text, read in full here on John Shaqi.
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