Plays by Anton Chekhov, Second SeriesChekhov, Anton Pavlovich
General
Plays by Anton Chekhov, Second Series
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russian drama -- Translations into English
LUBOV. You ought to be a man, at your age you ought to be able to
understand those who love. And you ought to be in love yourself, you
must fall in love! [Angry] Yes, yes! You aren’t pure, you’re just a
freak, a queer fellow, a funny growth...
TROFIMOV. [In horror] What is she saying!
LUBOV. “I’m above love!” You’re not above love, you’re just what our
Fiers calls a bungler. Not to have a mistress at your age!
TROFIMOV. [In horror] This is awful! What is she saying? [Goes quickly
up into the drawing-room, clutching his head] It’s awful... I can’t
stand it, I’ll go away. [Exit, but returns at once] All is over between
us! [Exit.]
LUBOV. [Shouts after him] Peter, wait! Silly man, I was joking! Peter!
[Somebody is heard going out and falling downstairs noisily. ANYA and
VARYA scream; laughter is heard immediately] What’s that?
[ANYA comes running in, laughing.]
ANYA. Peter’s fallen downstairs! [Runs out again.]
LUBOV. This Peter’s a marvel.
[The STATION-MASTER stands in the middle of the drawing-room and recites
“The Magdalen” by Tolstoy. He is listened to, but he has only delivered
a few lines when a waltz is heard from the front room, and the
recitation is stopped. Everybody dances. TROFIMOV, ANYA, VARYA, and
LUBOV ANDREYEVNA come in from the front room.]
LUBOV. Well, Peter... you pure soul... I beg your pardon... let’s dance.
[She dances with PETER. ANYA and VARYA dance. FIERS enters and stands
his stick by a side door. YASHA has also come in and looks on at the
dance.]
YASHA. Well, grandfather?
FIERS. I’m not well. At our balls some time back, generals and barons
and admirals used to dance, and now we send for post-office clerks and
the Station-master, and even they come as a favour. I’m very weak. The
dead master, the grandfather, used to give everybody sealing-wax when
anything was wrong. I’ve taken sealing-wax every day for twenty years,
and more; perhaps that’s why I still live.
YASHA. I’m tired of you, grandfather. [Yawns] If you’d only hurry up and
kick the bucket.
FIERS. Oh you... bungler! [Mutters.]
[TROFIMOV and LUBOV ANDREYEVNA dance in the reception-room, then into
the sitting-room.]
LUBOV. _Merci_. I’ll sit down. [Sits] I’m tired.
[Enter ANYA.]
ANYA. [Excited] Somebody in the kitchen was saying just now that the
cherry orchard was sold to-day.
LUBOV. Sold to whom?
ANYA. He didn’t say to whom. He’s gone now. [Dances out into the
reception-room with TROFIMOV.]
YASHA. Some old man was chattering about it a long time ago. A stranger!
FIERS. And Leonid Andreyevitch isn’t here yet, he hasn’t come. He’s
wearing a light, _demi-saison_ overcoat. He’ll catch cold. Oh these
young fellows.
LUBOV. I’ll die of this. Go and find out, Yasha, to whom it’s sold.
YASHA. Oh, but he’s been gone a long time, the old man. [Laughs.]
LUBOV. [Slightly vexed] Why do you laugh? What are you glad about?
YASHA. Epikhodov’s too funny. He’s a silly man. Two-and-twenty troubles.
LUBOV. Fiers, if the estate is sold, where will you go?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account