Plays by Anton Chekhov, Second SeriesChekhov, Anton Pavlovich
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Plays by Anton Chekhov, Second Series
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russian drama -- Translations into English
LOPAKHIN. Well, good-bye, old man. It’s time to go. Here we stand
pulling one another’s noses, but life goes its own way all the time.
When I work for a long time, and I don’t get tired, then I think more
easily, and I think I get to understand why I exist. And there are so
many people in Russia, brother, who live for nothing at all. Still, work
goes on without that. Leonid Andreyevitch, they say, has accepted a post
in a bank; he will get sixty thousand roubles a year.... But he won’t
stand it; he’s very lazy.
ANYA. [At the door] Mother asks if you will stop them cutting down the
orchard until she has gone away.
TROFIMOV. Yes, really, you ought to have enough tact not to do that.
[Exit.]
LOPAKHIN, All right, all right... yes, he’s right. [Exit.]
ANYA. Has Fiers been sent to the hospital?
YASHA. I gave the order this morning. I suppose they’ve sent him.
ANYA. [To EPIKHODOV, who crosses the room] Simeon Panteleyevitch, please
make inquiries if Fiers has been sent to the hospital.
YASHA. [Offended] I told Egor this morning. What’s the use of asking ten
times!
EPIKHODOV. The aged Fiers, in my conclusive opinion, isn’t worth
mending; his forefathers had better have him. I only envy him. [Puts
a trunk on a hat-box and squashes it] Well, of course. I thought so!
[Exit.]
YASHA. [Grinning] Two-and-twenty troubles.
VARYA. [Behind the door] Has Fiers been taken away to the hospital?
ANYA. Yes.
VARYA. Why didn’t they take the letter to the doctor?
ANYA. It’ll have to be sent after him. [Exit.]
VARYA. [In the next room] Where’s Yasha? Tell him his mother’s come and
wants to say good-bye to him.
YASHA. [Waving his hand] She’ll make me lose all patience!
[DUNYASHA has meanwhile been bustling round the luggage; now that YASHA
is left alone, she goes up to him.]
DUNYASHA. If you only looked at me once, Yasha. You’re going away,
leaving me behind.
[Weeps and hugs him round the neck.]
YASHA. What’s the use of crying? [Drinks champagne] In six days I’ll be
again in Paris. To-morrow we get into the express and off we go. I can
hardly believe it. Vive la France! It doesn’t suit me here, I can’t live
here... it’s no good. Well, I’ve seen the uncivilized world; I have had
enough of it. [Drinks champagne] What do you want to cry for? You behave
yourself properly, and then you won’t cry.
DUNYASHA. [Looks in a small mirror and powders her face] Send me a
letter from Paris. You know I loved you, Yasha, so much! I’m a sensitive
creature, Yasha.
YASHA. Somebody’s coming.
[He bustles around the luggage, singing softly. Enter LUBOV ANDREYEVNA,
GAEV, ANYA, and CHARLOTTA IVANOVNA.]
GAEV. We’d better be off. There’s no time left. [Looks at YASHA]
Somebody smells of herring!
Public-domain text, read in full here on John Shaqi.
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