Plays by Anton Chekhov, Second SeriesChekhov, Anton Pavlovich
General
Plays by Anton Chekhov, Second Series
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russian drama -- Translations into English
ANDREY. If you weren’t, I don’t suppose I should talk to you. I’ve got
to talk to somebody, and my wife doesn’t understand me, and I’m a bit
afraid of my sisters--I don’t know why unless it is that they may
make fun of me and make me feel ashamed... I don’t drink, I don’t like
public-houses, but how I should like to be sitting just now in Tyestov’s
place in Moscow, or at the Great Moscow, old fellow!
FERAPONT. Moscow? That’s where a contractor was once telling that some
merchants or other were eating pancakes; one ate forty pancakes and he
went and died, he was saying. Either forty or fifty, I forget which.
ANDREY. In Moscow you can sit in an enormous restaurant where you don’t
know anybody and where nobody knows you, and you don’t feel all the same
that you’re a stranger. And here you know everybody and everybody knows
you, and you’re a stranger... and a lonely stranger.
FERAPONT. What? And the same contractor was telling--perhaps he was
lying--that there was a cable stretching right across Moscow.
ANDREY. What for?
FERAPONT. I can’t tell. The contractor said so.
ANDREY. Rubbish. [He reads] Were you ever in Moscow?
FERAPONT. [After a pause] No. God did not lead me there. [Pause] Shall I
go?
ANDREY. You may go. Good-bye. [FERAPONT goes] Good-bye. [Reads] You can
come to-morrow and fetch these documents.... Go along.... [Pause] He’s
gone. [A ring] Yes, yes.... [Stretches himself and slowly goes into his
own room.]
[Behind the scene the nurse is singing a lullaby to the child. MASHA and
VERSHININ come in. While they talk, a maidservant lights candles and a
lamp.]
MASHA. I don’t know. [Pause] I don’t know. Of course, habit counts for
a great deal. After father’s death, for instance, it took us a long time
to get used to the absence of orderlies. But, apart from habit, it seems
to me in all fairness that, however it may be in other towns, the best
and most-educated people are army men.
VERSHININ. I’m thirsty. I should like some tea.
MASHA. [Glancing at her watch] They’ll bring some soon. I was given in
marriage when I was eighteen, and I was afraid of my husband because
he was a teacher and I’d only just left school. He then seemed to me
frightfully wise and learned and important. And now, unfortunately, that
has changed.
VERSHININ. Yes... yes.
MASHA. I don’t speak of my husband, I’ve grown used to him, but
civilians in general are so often coarse, impolite, uneducated. Their
rudeness offends me, it angers me. I suffer when I see that a man isn’t
quite sufficiently refined, or delicate, or polite. I simply suffer
agonies when I happen to be among schoolmasters, my husband’s
colleagues.
Public-domain text, read in full here on John Shaqi.
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