VERSHININ. A few days ago I was reading the prison diary of a French minister. He had been sentenced on account of the Panama scandal. With what joy, what delight, he speaks of the birds he saw through the prison windows, which he had never noticed while he was a minister. Now, of course, that he is at liberty, he notices birds no more than he did before. When you go to live in Moscow you’ll not notice it, in just the same way. There can be no happiness for us, it only exists in our wishes. TUZENBACH. [Takes cardboard box from the table] Where are the pastries? IRINA. Soleni has eaten them. TUZENBACH. All of them? ANFISA. [Serving tea] There’s a letter for you. VERSHININ. For me? [Takes the letter] From my daughter. [Reads] Yes, of course... I will go quietly. Excuse me, Maria Sergeyevna. I shan’t have any tea. [Stands up, excited] That eternal story.... MASHA. What is it? Is it a secret? VERSHININ. [Quietly] My wife has poisoned herself again. I must go. I’ll go out quietly. It’s all awfully unpleasant. [Kisses MASHA’S hand] My dear, my splendid, good woman... I’ll go this way, quietly. [Exit.] ANFISA. Where has he gone? And I’d served tea.... What a man. MASHA. [Angrily] Be quiet! You bother so one can’t have a moment’s peace.... [Goes to the table with her cup] I’m tired of you, old woman! ANFISA. My dear! Why are you offended! ANDREY’S VOICE. Anfisa! ANFISA. [Mocking] Anfisa! He sits there and... [Exit.] MASHA. [In the dining-room, by the table angrily] Let me sit down! [Disturbs the cards on the table] Here you are, spreading your cards out. Have some tea! IRINA. You are cross, Masha. MASHA. If I am cross, then don’t talk to me. Don’t touch me! CHEBUTIKIN. Don’t touch her, don’t touch her.... MASHA. You’re sixty, but you’re like a boy, always up to some beastly nonsense. NATASHA. [Sighs] Dear Masha, why use such expressions? With your beautiful exterior you would be simply fascinating in good society, I tell you so directly, if it wasn’t for your words. _Je vous prie, pardonnez moi, Marie, mais vous avez des manières un peu grossières_. TUZENBACH. [Restraining his laughter] Give me... give me... there’s some cognac, I think. NATASHA. _Il parait, que mon Bobick déjà ne dort pas_, he has awakened. He isn’t well to-day. I’ll go to him, excuse me... [Exit.] IRINA. Where has Alexander Ignateyevitch gone? MASHA. Home. Something extraordinary has happened to his wife again. TUZENBACH. [Goes to SOLENI with a cognac-flask in his hands] You go on sitting by yourself, thinking of something--goodness knows what. Come and let’s make peace. Let’s have some cognac. [They drink] I expect I’ll have to play the piano all night, some rubbish most likely... well, so be it! SOLENI. Why make peace? I haven’t quarrelled with you. TUZENBACH. You always make me feel as if something has taken place between us. You’ve a strange character, you must admit. SOLENI. [Declaims] “I am strange, but who is not? Don’t be angry, Aleko!”