Playwrights on playmaking : $b and other studies of the stageMatthews, Brander
History
Playwrights on playmaking : $b and other studies of the stage
Matthews, Brander
Drama -- History and criticism; Theater
This may not be witty, and it may even not be humorous, but it was
funny. It provoked incessant laughter in its progress to its apex,
which was greeted with uncontrollable roars. And laughter, like
that, clean and simple and honest, is a thing to be thankful for.
It is what Artemus Ward called “a sweet, sweet boon.” It needs no
apology and no explanation; it is its own excuse for being,—even if
it resists classification. It is wholesome and hygienic; and as Henry
Ward Beecher declared, “Whoever and wherever and however situated a
man is, he must watch three things,—sleeping, digestion and laughing.
They are three indispensable necessities.”
(1919)
XII
THE “OLD COMEDIES”
XII
THE “OLD COMEDIES”
I
It was in 1861 that Wallack’s Theater moved uptown from Broadway and
Broome Street to Broadway and 13th Street and that the management
passed from the hand of James W. Wallack to that of his son, Lester
Wallack. In 1882 Wallack’s Theater made another migration, from
Broadway and 13th Street to Broadway and 30th Street; and in this
third and final home the company failed to find itself as attractive
as it had been when it was lower downtown. Lester Wallack had to
relinquish its control; and he was glad to accept as a provision
for his declining years the proceeds of an all-star performance of
‘Hamlet’ given for his benefit with Edwin Booth as Hamlet and with
Joseph Jefferson as the First Gravedigger.
It was in 1879 while the company was still in its second home, at
Broadway and 13th Street, that Lester Wallack made a remark to me
which helped to explain why his enterprize came to grief not long
after it was transplanted to Broadway and 30th Street. He declared
rather plaintively that the management of a theater in New York was
in 1879 far more difficult than it had been in his father’s time.
“We used to bring out the latest London success,” he told me, “and
to revive the Old Comedies, and with a play now and then from Dion
[Boucicault] or from John [Brougham], we got through the season very
well. But I don’t really know now what people want.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account