Playwrights on playmaking : $b and other studies of the stageMatthews, Brander
History
Playwrights on playmaking : $b and other studies of the stage
Matthews, Brander
Drama -- History and criticism; Theater
But the greatest scenes are in the last act, where Colonel Sellers
appears as a witness for the defence of Laura Hawkins. As he mounts
the stand he affably recognizes and shakes hands with several
acquaintances among the jury; he delivers his testimony in the
form of a stump speech; he helplessly overrides all the protests,
exceptions, and interruptions of the prosecution; from time to
time he irresistibly turns and addresses the jury and can scarcely
be silenced; while the attorneys are wrangling together he has
seized a juryman by the coat-lapel and is earnestly exhorting him
in whisper. The effect is irresistibly ludicrous. It is farce and
not farce, for, however extravagantly impossible the situation is,
the man in it is deliciously true to himself. There is one bit of
pathos, where Sellers tells how he knew Laura as a little girl, and
implies that, though she might have killed a man, she could _not_
have done _murder_.
The extravagantly impossible situation may have been taken over from
the Densmore perversion; but the handling of it, the expressing out
of it of all the humor it might be made to contain, that, we may be
sure, was the doing of Mark himself. No one else could have done it.
Forty years ago and more I pointed out, in an article on the
‘American on the Stage’ that in so far as Colonel Sellers was
a schemer, with an incessant activity in devising new methods
for making money, he had been anticipated by a character in Ben
Jonson’s the ‘Devil is an Ass’—added evidence of the kinship of the
descendants of the Puritans with the daring Elizabethan adventurers.
Where the American proposed a liniment for the sore eyes so
multitudinous in the Orient and saw “millions in it!” the Elizabethan
had advocated a device for making wine of raisins:
What hast thou there?
O, “Making wine of Raisins”; this is in hand now.
Yes, and as true a wine as the wines of France,
Or Spain or Italy: look of what grape
My raisin is, that wine I’ll render perfect,
As of the Muscatel grape, I’ll render Muscatel;
Of the Canary, his; the claret, his;
So of all kinds; and bate you of the prices
Of wine throughout the kingdom half in half.
When it is objected that this enterprise may put up the price of
raisins, the answer comes pat:
Why then I’ll make it out of blackberries,
And it shall do the same. ’Tis but more art,
And the charge less.
Public-domain text, read in full here on John Shaqi.
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