But this is not all, even as regards the vowel sounds, the most readily reproducible peculiarities of ordinary speech. Spoken sounds differ from musical sounds properly so called, in varying in pitch throughout their continuance. So far as tone is concerned, apart from vowel quality, the speech note may be imitated by sliding a finger up the finger-board of a violin while the bow is being drawn. A familiar illustration of the varying pitch of a speech note is found in the utterance of Hamlet’s question, “Pale, or red?” with intense anxiety of inquiry, if one may so speak. “The speech note on the word ‘pale’ will consist of an upward movement of the voice, while that on ‘red’ will be a downward movement, and in both words the voice will traverse an interval of pitch so wide as to be conspicuous to ordinary ears; while the cultivated perception of the musician will detect the voice moving through a less interval of pitch while he is uttering the word ‘or’ of the same sentence. And he who can record in musical notation the sounds which he hears, will perceive the musical interval traversed in these vocal movements, and the place also of these speech notes on the musical staff.” Variations of this kind, only not so great in amount, occur in ordinary speech; and no telephonic or phonographic instrument could be regarded as perfect, or even satisfactory, which did not reproduce them. But the vowel sounds are, after all, combinations and modifications of musical tones. It is otherwise with consonantal sounds, which, in reality, result from various ways in which vowel sounds are commenced, interrupted (wholly or partially), and resumed. In one respect this statement requires, perhaps, some modification—a point which has not been much noticed by writers on vocal sounds. In the case of liquids, vowel sounds are not partially interrupted only, as is commonly stated. They cease entirely as vowel sounds, though the utterance of a vocal sound is continued when a liquid consonant is uttered. Let the reader utter any word in which a liquid occurs, and he will find that while the liquid itself is sounded the vowel sounds preceding or following the liquid cease entirely. Repeating slowly, for example, the word “remain,” dwelling on all the liquids, we find that while the “r” is being sounded the “ē” sound cannot be given, and this sound ceases so soon as the “m” is sounded; similarly the long “a” sound can only be uttered when the “m” sound ceases, and cannot be carried on into the sound of the final liquid “n.” The liquids are, in fact, improperly called semi-vowels, since no vowel sound can accompany their utterance. The tone, however, with which they are sounded can be modified during their utterance. In sounding labials the emission of air is not stopped completely at any moment. The same is true of the sibilants s, z, sh, zh, and of the consonants g, j, f, v, th (hard and soft). These are called, on this account, _continuous_ consonants.