Plotinos: Complete Works, v. 3: In Chronological Order, Grouped in Four PeriodsPlotinus
Philosophy
Plotinos: Complete Works, v. 3: In Chronological Order, Grouped in Four Periods
Plotinus
Plotinus
Thus the Divinity, being the object of desire, must be the most desired
and the most loved, precisely because He has no figure nor shape. The
love He inspires is immense; this love is limitless, because of the
limitlessness of its object. He is infinite, because the beauty of its
object surpasses all beauty. Not being any essence, how indeed could
the (divinity) have any determinate beauty? As supreme object of love,
He is the creator of beauty.[136] Being the generating power of all
that is beautiful, He is at the same time the flower in which beauty
blooms[137]: for He produces it, and makes it more beautiful still by
the superabundance of beauty which He sheds on her. He is therefore
simultaneously the principle and goal of beauty.[138] As principle of
beauty, He beautifies all that of which He is the principle. It is not
however by shape that He beautifies; what He produces has no shape, or,
to speak more accurately, He has a shape in a sense different from the
habitual meaning of this term. The shape which is no more than a shape
is a simple attribute of some substance, while the Shape that subsists
in itself is superior to shape. Thus, that which participates in beauty
was a shape; but beauty itself has none.
ABSOLUTE BEAUTY IS A FORMLESS SHAPE.
33. When we speak of absolute Beauty, we must therefore withdraw from
all determinate shape, setting none before the eyes (of our mind);
otherwise, we would expose ourselves to descending from absolute
beauty to something which does not deserve the name of beauty but by
virtue of an obscure and feeble participation[139]; while absolute
Beauty is a shapeless form, if it be at all allowed to be an idea (or
form). Thus you may approach the universal Shape only by abstraction.
Abstract even the form found in the reason (that is, the essence), by
which we distinguish one action from another. Abstract, for instance,
the difference that separates temperance from justice, though both be
beautiful. For by the mere fact that intelligence conceives an object
as something proper, the object that it conceives is diminished, even
though this object were the totality of intelligible entities; and,
on the other hand, if each of them, taken apart, have a single form,
nevertheless all taken together will offer a certain variety.
THE SUPREME IS ESSENTIAL BEAUTY; THE SHAPELESS SHAPER; TRANSCENDENT.
Public-domain text, read in full here on John Shaqi.
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