Plotinos: Complete Works, v. 4: In Chronological Order, Grouped in Four PeriodsPlotinus
Philosophy
Plotinos: Complete Works, v. 4: In Chronological Order, Grouped in Four Periods
Plotinus
Plotinus
DETERMINISM IMPLIES DEGENERATION OF RACES.
Does the "reason" of each individual contain both his "actions" and
"reactions"[215] in a way such that these are neither accidental nor
fortuitous, but necessary?[255] Are these produced by the reasons? Or
do the reasons know them, without producing them? Or does the soul,
which contains the generative "reasons,"[256] know the effects of all
her works by reasoning according to the following principle, that the
concourse of the same circumstances must evidently produce the same
effects? If so, the soul, understanding or foreseeing the effects of
her works, by them determines and concatenates all the events that
are to happen. She, therefore, considers all the antecedents and
consequents, and foresees what is to follow from what precedes.[257]
It is (because the beings thus proceed from each other) that the
races continually degenerate. For instance, men degenerate because in
departing continually and unavoidably (from the primitive type) the
("seminal) reasons" yield to the "passions" of matter.[258]
THE SOUL DOES NOT CAUSE PASSIONS, WHICH ARISE FROM THE SEMINAL REASONS.
Is the soul the cause of these passions, because she begets the beings
that produce them? Does the soul then consider the whole sequence
of events, and does she pass her existence watching the "passions"
experienced by her works? Does she never cease thinking of the latter,
does she never put on them the finishing touch, regulating them so that
they should always go well?[259] Does she resemble some farmer who,
instead of limiting himself to sowing and planting, should ceaselessly
labor to repair the damage caused by the rains, the winds, and the
storms? Unless this hypothesis be absurd, it must be admitted that
the soul knows in advance, or even that the ("seminal)[260] reasons"
contain accidents which happen to begotten beings, that is, their
destruction and all the effects of their faults.[261] In this case,
we are obliged to say that the faults are derived from the ("seminal)
reasons", although the arts and their reasons contain neither error,
fault, nor destruction of a work of art.[262]
THE UNIVERSE IS HARMONY,[207] IN SPITE OF THE FAULTS IN THE DETAILS.
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