Ploughshare and Pruning-Hook: Ten Lectures on Social SubjectsHousman, Laurence
Philosophy
Ploughshare and Pruning-Hook: Ten Lectures on Social Subjects
Housman, Laurence
Social ethics; Social sciences
One of the most perfectly decorative objects that I have ever seen in
the animal world (you will find it in still-life form in our Natural
History Museum) is the device by which a certain small possum has
taught her young to accompany her from branch to branch. Along her back
she seats her litter, then over their heads like the conducting-wire
of a tram-line she extends her tail--and then (each like an electric
connecting rod) up go the little tails, make a loop, adjust themselves
to the maternal guide-rope, and hang on. And there, safe from upset, is
the family-omnibus ready to start!
Of course, you may say that is use; but it is use in which the
spiritualities, faith, hope and love, begin to appear; and in the
gentleness of its intention it forms a basis for the up-growth
of beauty. Now all the arts are, in the same way, first of all
structural--having for their starting-point a sound and economic use of
the material on which they are based. Music, architecture, poetry, and
the rest were all, to begin with, the result of an instinctive choice
or selection, directed to the elimination of superfluities, accidents,
excrescences--which to the craftsman’s purpose are nothing.
Nature, in her seed-sowing, has gone to work to propagate by profusion;
her method is to sow a million seeds so as to make sure that some may
live; thus she meets and out-matches the chances that are against her.
The seed of Art sprang up differently; maker-man took hold of the one
selected seed, not of a dozen, or of a thousand dozen promiscuously,
and bent his faculties on making that one seed (his chosen material)
fit to face life and its chances: if a house--walls and roof
calculated to keep out the rain and resist the force of storms: if a
textile--fabric of a staple sufficient to resist the wear and tear to
which it would be subjected: if a putting together of words meant to
outlast the brief occasion of their utterance--then in a form likely
to be impressive, and therefore memorable; so that in an age before
writing was known they might find a safe tabernacle, travelling from
place to place in the minds of men. And similarly with music--a system
of sounds so ruled by structural law as to be capable of transmission
either by instrument, or by voice disciplined and trained to a certain
code of limitations. And being thus made memorable and passed from
mouth to mouth, from one place to another, and from age to age, they
acquired a social significance and importance; till, seeing them thus
lifted above chance, man set himself to give them new forms of beauty
and adornment.
Public-domain text, read in full here on John Shaqi.
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