Ploughshare and Pruning-Hook: Ten Lectures on Social SubjectsHousman, Laurence
Philosophy
Ploughshare and Pruning-Hook: Ten Lectures on Social Subjects
Housman, Laurence
Social ethics; Social sciences
But there, mind you, in trade, lies to-day the very life of the nation;
for the life of our teeming millions depends on it. By our industrial
specialisation in the pursuit of wealth vast numbers of us have ceased
to be self-supporting in the necessaries of life. And the question for
artists is, are we basing our national life on conditions that cannot
secure permanence and stability in the things which we produce? Is it
a necessary condition of our industrial development that things should
have a shorter life and we a shorter use for them than in the old days?
To the artist the drawback of machine-made things is not necessarily
in the mechanism of their production (for in some cases your machine
relieves the human hand of a hard and wearing monotony), but there is
a very obvious drawback if it imposes upon the worker merely another
form of hard and wearing monotony, and at the same time shortens the
life of the thing produced. If handicraft does not offer to the worker
worthier conditions for hand and brain, and insure longer life in the
thing produced, it is no good pinning our faith to it. Eliminate it,
and let machinery take its place. You have not, then, in the transfer,
destroyed any right values, and you are not going counter to the
conditions which tend to produce national Art.
But, as an example of the particular value which does sometimes attach
to hand labour (irrespective of its artistic value), I have here a
small unused sample of chair-cover material of English make, produced
about eighty years ago, at a probable cost--so I am told by experts--of
under £2 the square yard. The chairs it was made to cover are now
in my possession. During the twenty-five years of my own personal
acquaintance with them they have had plenty of hard wear; but even at
the corners that material has not yet begun to wear out; and the colour
has only become softer and more mellow in quality.
Within the last ten years I endeavoured to get that covering matched in
a modern material, and I paid for the nearest match I could get about
one-fifth of the price I have quoted. That material has already gone
shabby; and where it is most worn and faded the colour, instead of
mellowing, has gone dead and dirty in quality. The older material will
probably outlast my time.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account