To these succeeding ages added another sort, which were called Polymnastia. But the measures set down for those that played and sung to the harp, being the invention of Terpander, were much more ancient than the former. To these he gave the several appellations of Boeotian, Aeolian, Trochaean, the Acute, Cepion, Terpandrian, and Tetraoedian.[55] And Terpander made preludes to be sung to the lyre in heroic verse. Besides, Timotheus testifies how that the lyric nomes were anciently appropriated to epic verses. For Timotheus merely intermixed the dithyrambic style with the ancient nomes in heroic measure, and thus sang them, that he might not seem to make too sudden an innovation upon the ancient music. But as for Terpander, he seems to have been the most excellent composer to the harp of his age, for he is recorded to have been four times in succession a victor at the Pythian games. And certainly he was one of the most ancient musicians in the world; for Glaucus the Italian in his treatise of the ancient poets and musicians asserts him to have lived before Archilochus, affirming him to be the second next to those that first invented wind-music. 5. Alexander in his Collections of Phrygia says, that Olympus was the first that brought into Greece the manner of touching the strings with a quill; and next to him were the Idaean Dactyli; Hyagnis was the first that sang to the pipe; after him his son Marsyas, then Olympus; that Terpander imitated Homer in his verses and Orpheus in his musical compositions; but that Orpheus never imitated any one, since in his time there were none but such as composed to the pipe, which was a manner quite different from that of Orpheus. Clonas, a composer of nomes for flute-music, and somewhat later than Terpander, as the Arcadians affirm, was born in Tegea or, as the Boeotians allege, at Thebes. After Terpander and Clonas flourished Archilochus; yet there are some writers who affirm, that Ardalus the Troezenian taught the manner of composing to wind-music before Clonas. There was also the poet Polymnestus, the son of Meles the Colophonian, who invented the Polymnestian measures. They farther write that Clonas invented the nomes Apothetus and Schoenion. Of Polymnestus mention is made by Pindar and Alcman, both lyric poets; but of several of the lyric nomes said to be instituted by Terpander they make Philammon (the ancient Delphian) author.