Plutarch's essays and miscellanies, Vol. 2 (of 5) : $b Comprising all his works collected under the title of "Morals"Plutarch
Philosophy
Plutarch's essays and miscellanies, Vol. 2 (of 5) : $b Comprising all his works collected under the title of "Morals"
Plutarch
Classical literature; Essays; Ethics; Philosophy
5. Nor are we to omit in our reading those hints which, from some
other words or phrases bordering on those that offend us, may help to
rectify our apprehensions. But as physicians use cantharides, believing
that, though their bodies be deadly poison, yet their feet and wings
are medicinal and can even kill the poison of the flies themselves, so
must we deal with poems. If any noun or verb near at hand may assist to
the correction of any such saying, and preserve us from putting a bad
construction upon it, we should take hold of it and employ it to assist
a more favorable interpretation. As some do in reference to those
verses of Homer,—
Sorrows and tears most commonly are seen
To be the Gods’ rewards to wretched men:—
The Gods, who have no cause themselves to grieve,
For wretched man a web of sorrow weave.[40]
For, they say, he says not of men simply, or of all men, that the Gods
weave for them the fatal web of a sorrowful life; but he affirms it
only of foolish and imprudent men, whom, because their vices make them
such, he therefore calls wretched and miserable.
6. Another way whereby those passages which are suspicious in poets
may be transferred to a better sense may be taken from the common
use of words, which a young man ought indeed to be more exercised in
than in the use of strange and obscure terms. For it will be a point
of philology which it will not be unpleasant to him to understand,
that when he meets with ῥιγεδανή in a poet, that word signifies an
_evil death_; for the Macedonians use the word δάνος to signify
_death_. So the Aeolians call victory gotten by patient endurance
of hardships καμμονίη; and the Dryopians call daemons πόποι.
But of all things it is most necessary, and no less profitable if
we design to receive profit and not hurt from the poets, that we
understand how they make use of the names of Gods, as also of the terms
of Evil and Good; and what they mean by Fortune and Fate; and whether
these words be always taken by them in one and the same sense or rather
in various senses, as also many other words are. For so the word οἶκος
sometimes signifies a _material house_, as, Into the high-roofed
house; and sometimes _estate_, as, My house is devoured. So
the word βίοτος sometimes signifies _life_, and sometimes
_wealth_. And ἀλύειν is sometimes taken for being _uneasy_
and _disquieted in mind_, as in
Ὡς ἔφαθ’· ἡ δ’ ~ἀλύουσ~’ ἀπεβήσατο,
τείρετο δ’ αἰνῶς,[41]
and elsewhere for boasting and rejoicing, as in
Ἢ ~ἀλύεις~, ὅτι Ἶρον ἐνίκησας τὸν ἀλήτην.[42]
In like manner θοάζειν signifies either _to move_, as in Euripides
when he saith,
Κῆτος ~θοάζον~ ἐκ Ἀτλαντικῆς ἁλός,—
or _to sit_, as in Sophocles when he writes thus,
Τίνας πόθ’ ἕδρας τάσδε μοι ~θοάζετε~,
Ἱκτηρίοις κλάδοισιν ἐξεστεμμένοι.[43]
It is elegant also when they adapt to the present matter, as
grammarians teach, the use of words which are commonly of another
signification. As here:—
Public-domain text, read in full here on John Shaqi.
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