Aristeides, the son of Lysimachus, was of the tribe Antiochis, and the township of Alopekæ. There are various reports current about his property, some saying that he lived in poverty, and that on his death he left two daughters, who remained a long while unmarried because of their poverty; while this general opinion is contradicted by Demetrius of Phalerum in his book on Sokrates, where he mentions an estate at Phalerum which he knew had belonged to Aristeides, in which he was buried, and also adduces other grounds for supposing him to have been a wealthy man. First, he points out that Aristeides was Archon Eponymus, an office for which men were chosen by lot from the richest class, that of the Pentakosiomedimni, or citizens who possessed a yearly income of five hundred _medimni_[17] of dry or liquid produce. Secondly, he mentions the fact that he was ostracised: now, ostracism never was used against poor men, but against those who descended from great and wealthy houses, and whose pride made them feared and disliked by their fellow citizens. Thirdly, and lastly, he writes that Aristeides placed in the temple of Dionysus tripods dedicated to the god by a victorious chorus, which even in my own time are still to be seen, and which bear the inscription: "The tribe Antiochis won the prize; Aristeides was choragus; Archestratus taught the chorus." Now this, which seems to be the strongest argument of all, is really the weakest. Epameinondas, whom all men know to have been born and to have passed his life in the greatest possible poverty, and Plato the philosopher, both exhibited excellent choruses, the former bearing the expense of a chorus of men playing on the flute, while the latter exhibited a _cyclic_[18] chorus of boys. Plato's expenses were borne by Dionysius of Syracuse, and those of Epameinondas by Pelopidas and his friends. Good men do not always refuse to receive presents from their friends, but, though they would scorn to make money by them, they willingly receive them to further an honourable ambition. Panætius, moreover, proves that Demetrius is wrong in the matter of the tripods, because from the time of the Persian war to the end of the Peloponnesian war there are only two Aristeides recorded as victors, neither of whom can be identified with the son of Lysimachus, as the father of one of them was Xenophilus, and the other was a much more modern personage, as is proved by his name being written in the characters which came into use after the archonship of Eukleides, and from the name of the poet or teacher of the chorus, Archestratus, whose name we never meet with in the time of the Persian war, but who taught several choruses (that is, wrote several successful plays) during the Peloponnesian war. These remarks of Panætius must, however, be received with caution. As to ostracism, any man of unusual talent, nobility of birth, or remarkable eloquence, was liable to suffer from