Sec. XVI. Now some cannot bear to hear the assertion of the Stoics[410] that the wise man is at once rich, and handsome, and noble, and a king; but flatterers declare that the rich man is at once orator and poet, and (if he likes) painter, and flute-player, and swift-footed, and strong, falling down if he wrestles with them, and if contending with him in running letting him win the race, as Crisso of Himera purposely allowed Alexander to outrun him, which vexed the king very much when he heard of it.[411] And Carneades said that the sons of rich men and kings learnt nothing really well and properly except how to ride, for their master praised and flattered them in their studies, and the person who taught them wrestling always let them throw him, whereas the horse, not knowing or caring whether his rider were a private person or ruler, rich or poor, soon threw him over his head if he could not ride well. Simple therefore and fatuous was that remark of Bion, "If you could by encomiums make your field to yield well and be fruitful, you could not be thought wrong in tilling it so rather than digging it and labouring in it: nor would it be strange in you to praise human beings if by so doing you could be useful and serviceable to them." For a field does not become worse by being praised, but those who praise a man falsely and against his deserts puff him up and ruin him. Sec. XVII. Enough has been said on this matter: let us now examine outspokenness. For just as Patroclus put on the armour of Achilles, and drove his horses to the battle, only durst not touch his spear from Mount Pelion, but let that alone, so ought the flatterer, tricked out and modelled in the distinctive marks and tokens of the friend, to leave untouched and uncopied only his outspokenness, as the special burden of friendship, "heavy, huge, strong."[412] But since flatterers, to avoid the blame they incur by their buffoonery, and drinking, and gibes, and jokes, sometimes work their ends by frowns and gravity, and intermix censure and reproof, let us not pass this over either without examination. And I think, as in Menander's Play the sham Hercules comes on the stage not with a club stout and strong, but with a light and hollow cane, so the outspokenness of the flatterer is to those who experience it mild and soft, and the very reverse of vigorous, and like those cushions for women's heads, which seem able to stand their ground, but in reality yield and give way under their pressure; so this sham outspokenness is puffed up and inflated with an empty and spurious and hollow bombast, that when it contracts and collapses draws in the person who relies on it. For true and friendly outspokenness attacks wrong-doers, bringing pain that is salutary and likely to make them more careful, like honey biting but cleansing ulcerated parts of the body,[413] but in other respects serviceable and sweet. But we will speak of this anon.[414] But the flatterer first exhibits himself as