WEDGEWOOD.
Bravo! He's a trump.--Bless me! a popular commotion!--No matter--I am crier of the
court! Let me catch any of the little boys making a noise in the halls of
justice--that's all! I'll make the king himself mind his P's and Q's, if he dares
to interfere with OUR grave deliberations! I will act as becomes my station. His
Majesty has a jewel in me, and I'll convince him that authority in my hands is a
knock-down argument--so-fist-ically odd!
SONG--WEDGEWOOD.
That law's the perfection of reason,
No one in his senses denies;
Yet here is a trial for treason
Will puzzle the wigs of the wise.
The lawyers who bring on the action
On one single point will agree,
Though proved to their own satisfaction
That tweedle-dum's NOT tweedle-dee!
To settle disputes, in a fury
The sword from the scabbard we draw;
But reason appeals to a jury,
And settles--according to law.
Then hey for the woolsack!--for never
Without it can nations be free;
But trial by jury for ever!
And for tyranny--fiddle-de-dee!
[Exit.
Scene the last.
Discovered. The whole stage is thrown open, and represents the Hall of the Palace
at Potsdam, arranged as a court-room. On a carpeted platform is the royal seat
of state, occupied by three JUDGES. On the right and left of them are cushioned
seats for the KING and his retinue, and OFFICERS of state. In front of the
judgement-seat is a large center-table, on which are various law-books and the
Prussian Vase. Around the table are suitable places for the ADVOCATES in the
cause. On each side are elevated benches, occupied by the GIRLS of the Factory,
behind whom are stationed platoons of the ROYAL GUARDS. At the end of the benches
on the right is the jury-box, with twelve JURORS, and the desk of the CRIER, on
which is a small mallet. Around the whole stage is a large gallery, crowded
with the CITIZENS of Potsdam.--The entire scene is intended to represent an English
Criminal Court of Law of the olden time, in full costume, with scarlet robes,
ermine gowns, etc.--The following CHARACTERS are discovered in their respective
places: BARON ALTENBERG, the ATTORNEY-GENERAL and ADVOCATE for the crown; the
WORKMEN of the Factory, as WITNESSES; the JAILOR, HANS, GERTRUDE, HAROLD, and
CORPORAL; COUNT LANISKA, guarded, attended by the COUNTESS and FREDERICA; SOPHIA
MANSFIELD, guarded, and attended by Factory-GIRLS; ALBERT, as ADVOCATE for the
PRISONERS, and WEDGEWOOD, as CRIER of the Court; OFFICERS of state, LADIES of
the Court, PORTERS of the Hall, and the KING.--This scene is accompanied by the
ORCHESTRA.--Music as the scene opens--
CHORUS.
With mercy let justice
To mortals be given,
For Justice and Mercy
Are twin-born in heaven!
(As BARON ALTENBERG rises, WEDGEWOOD says, in a subdued tone of voice, and very
respectfully.)
WEDGEWOOD.
Silence in the court!
Public-domain text, read in full here on John Shaqi.
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