Grave-clothes are not more grim and sombre made Than are these helms; the deaf and sealed-up graves Are not more icy than these arms; the staves Of hideous biers have not their joints more strong Than are the joinings of these legs; the long Scaled gauntlet fingers look like worms that shine, And battle robes to shroud-like folds incline. The heads are skull-like, and the stony feet Seem for the charnel house but only meet. The pikes have death's-heads carved, and seem to be Too heavy; but the shapes defiantly Sit proudly in the saddle--and perforce The rider looks united to the horse! The network of their mail doth clearly cross. The Marquis' mortar beams near Ducal wreath, And on the helm and gleaming shield beneath Alternate triple pearls with leaves displayed Of parsley, and the royal robes are made So large that with the knightly harness they Seem to o'ermaster palfreys every way. To Rome the oldest armor might be traced, And men and horses' armor interlaced Blent horribly; the man and steed we feel Made but one hydra with its scales of steel. Yet is there history here. Each coat of mail Is representant of some stirring tale. Each delta-shaped escutcheon shines to show A vision of the chief by it we know. Here are the blood-stained Dukes' and Marquis' line, Barbaric lords, who amid war's rapine Bore gilded saints upon their banners still Painted on fishes' skin with cunning skill. Here Geth, who to the Slaves cried "Onward go," And Mundiaque and Ottocar--Plato And Ladisläus Kunne; and Welf who bore These words upon his shield his foes before; "Nothing there is I fear." Otho blear-eyed, Zultan and Nazamustus, and beside The later Spignus, e'en to Spartibor Of triple vision, and yet more and more As if a pause at every age were made, And Antaeus' fearful dynasty portrayed.