Note 37. FORWARD. The composer Grieg and his wife spent Christmas Eve, 1868, with Björnson's family in Christiania. Grieg, who then gave to Björnson a copy of the first part of his Lyriske Smaastykker, has written the following account of the origin of this poem: "Among these was one with the title 'Fatherland's Song.' I played this for Björnson, who liked it so well that he said he wanted to write words for it. That made me glad, although afterwards I said to myself: It probably will remain a want, he has other things to think of. But the very next day I met him in full creative joy: 'It's going excellently. It shall be a song for all the youth of Norway. But there is something at the beginning that I haven't yet got hold of -- a certain wording. I feel that the melody demands it, and I shall not give it up. It must come.' Then we parted. The next forenoon, as I was giving a piano lesson to a young lady, I heard a ring at the entry-door, as if the whole bell apparatus would rattle down; then a noise as of wild hordes breaking in and a roar; 'Forward! Forward! Now I have it! Forward!' My pupil trembled like an aspen leaf. My wife in the next room was frightened out of her wits. But when the door flew open and Björnson stood there, glad and shining like a sun, there was a general jubilee, and we were the first to hear the beautiful new poem." Note 38. THE MEETING. The Student Meetings, i.e., conventions of university students in the three countries, were originally an important part of "Scandinavism" (see Note 21). The first was held in 1843; that of 1862 was the last to have a distinctly political character. After 1864 the chief aim of these gatherings was to improve the position and strengthen the influence of the student in the community. In 1869 Christiania invited the Danish students to meet there with their Swedish and Norwegian comrades, in the interest of culture, better acquaintance with one another, people, and land, and cooperation in general for the future of the kingdoms. Gjallar-horn, Heimdall's horn, to be blown especially at the beginning of Ragnarok, symbolical here of the painful passing of the old order, which ushers in a new world. Note 39. NORSE NATURE. See note to the preceding poem. King Halfdan the Black (died 860) was the father of Harald Fairhair. It was said of him that he once dreamed he had the most beautiful hair one could see, luxuriant locks of various lengths and colors, but one of them larger, brighter, and fairer than all the others. This was interpreted to mean that King Halfdan would have many descendants, and they would rule Norway with great honor; but one of them would surpass the others, and later this was said to be Olaf the Saint. Nore, the largest mountain of Ringerike. Note 40. I PASSED BY THE HOUSE. Written in 1869. The translator has not been able to verify the statement that the poem refers to a cousin, to whom Björnson was devoted from his student days.