_Seringapatam_.--In 1780, while attempting to relieve Arcot, a British
force of three thousand men was cut to pieces by Hyder Ali. Baird,
then a young captain in the 73rd, was left for dead on the field. He
was afterwards, with forty-nine other officers, kept in prison at
Seringapatam, and treated with Oriental barbarity and treachery by
Hyder Ali and his son Tippoo Sahib, Sultans of Mysore. Twenty-three of
the prisoners died by poison, torture, and fever; the rest were
surrendered in 1784. In 1799, at the Siege of Seringapatam,
Major-General Baird commanded the first European brigade, and
volunteered to lead the storming column. {232} Tippoo Sahib, with
eight thousand of his men, fell in the assault, but the victor spared
the lives of his sons, and forbade a general sack of the city.
_Clifton Chapel_.--Thirty-five Old Cliftonian officers served in the
campaign of 1897 on the Indian Frontier, of whom twenty-two were
mentioned in despatches, and six recommended for the Distinguished
Service Order. Of the three hundred Cliftonians who served in the war
in South Africa, thirty were killed in action and fourteen died of
wounds or fever.
"Clifton, remember these thy sons who fell
Fighting far over sea;
For they in a dark hour remembered well
Their warfare learned of thee."
_The Echo_.--The ballad was "The Twa Sisters of Binnorie," as set by
Arthur Somervell.
_Sráhmandázi_.--This ballad is founded on materials given to the author
by the late Miss Mary Kingsley on her return from her last visit to the
Bantu peoples of West Africa. The song-net, as described by her,
resembles a long piece of fishing-net folded, and is carried by the
Songman over his shoulder. When opened and laid before an audience, it
is seen to contain "tokens"--such as a leopard's paw, a child's hair, a
necklet, or a dried fish--sewn firmly to the meshes of the net. These
form a kind of symbolical index to the Songman's repertory: the
audience make their choice by laying a hand upon any token which
appears desirable. The last of the tokens is that which represents the
Song of Dying or Song of Sráhmandázi. It is a shapeless piece of any
substance, and is recognized only by its position in the net. The
song, being unintelligible to the living, is never asked for until the
moment of death.
Public-domain text, read in full here on John Shaqi.
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