Poet-Lore: A Quarterly Magazine of Letters. April, May, June, 1900Various
General
Poet-Lore: A Quarterly Magazine of Letters. April, May, June, 1900
Various
Literature -- Periodicals; Poetry -- Periodicals
We who have grown up under the dispensation, so to speak, of the
doctrine of evolution, now acknowledged to be the guiding principle in
every department of knowledge find it hard to enter into the spirit of
that mid-century Sturm and Drang period which resulted upon the
publication of Darwin's 'Origin of Species.' This book is the landmark
of the century, and commemorates at once the triumph of knowledge, and
its failure. The triumph of science in the realm of phenomena, its
failure to pierce into the ultimate causes of these phenomena. What a
hard fight scientific methods of investigating the phenomena of nature
and life had had up to that time, in the teeth of opposition from the
less instructed religious world, has been summarized for us in the
fascinating pages of Andrew D. White's 'Warfare Between Theology and
Science.' One by one, Science won the outposts held by prejudice and
conservatism. It had to be admitted that the earth was not flat and
that it did not float upon an infinite sea supported on the back of a
tortoise. It had to be admitted, even, that it did not occupy the chief
seat in the synagogue of the firmament, but went rolling about the sun
like any common little asteroid. Finally, the great guns of science
were trained upon man himself and he was forced to retire from his
lofty position of Lord of Creation to the much more humble one of
outcome of creation.
To a large proportion of mankind it seemed as if, should these things
be admitted as truth, the whole fabric of society must fall to pieces
and religion become a mockery. Those who felt so fought, as for their
life, against the conclusions of science. There was a large minority,
however, which, intellectually constrained to accept the conclusions of
science, yet differed much in temperament and were by consequence,
affected in very different ways by the new truths. There were men like
Matthew Arnold who no longer believed in the revelations of the past,
yet who clung to the beauty of religious forms, in despair at the
thought of the wilderness life would be without them. There were others
like George Eliot, who became positivists, and gained comfort only in
the thought of a religion of humanity and an immortality of nothing
more tangible than human influence. There were those like William
Morris who accepted cheerfully this life as being all and who devoted
their energies to making it as lovely as possible and working to make
it more lovely for the future. There were still others, like Clifford,
entirely hopeless, but who like Childe Roland put the slug horn to
their lips, and lived brave, noble lives in the certainty of coming
annihilation; a divine melancholy seized upon some, such as we see
reflected in much of Tennyson's verse.
Public-domain text, read in full here on John Shaqi.
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