Poetical Works of Robert Bridges, Volume 6Bridges, Robert
General
Poetical Works of Robert Bridges, Volume 6
Bridges, Robert
English drama; English poetry
_Sen._ Be still. Let not thy heart rebel.
Now is the hour of proof.
_Pau._ If ’twere God’s will.
_Sen._ All is God’s will: and as we lived together
In love, so now we part.
_Pau._ Why should we part?
What thou doest I will do: I fear not death.
I’ll hold my little candle by thy sun....
_Sen._ It may not be. Use thy high courage rather
To live. Yes, live in peace: live long.
_Pau._ With thee
Murdered! Alas!
_Sen._ Give me thy last embrace.
_Pau._ Was not my faith then true? Are we not one?
_Sen._ Yes, yes: we are one.
_Pau._ Then now forbid me not
To die with thee.
_FANNIA._
Do not this thing, madam!
_Pau._ Nay, hold me not!
_Sen._ Paullina, dost thou make
This desperate choice truly with all thy heart?
_Pau._ With all my heart.
_Sen._ Thou dost? Dear wife, I thought
Cæsar could part us: now I can forgive him.—
To you, my friends, farewell! Thrasea, farewell!
Priscus, farewell! Fannia, farewell!—Paullina,
(_Taking her hand_)
Since thou canst dare, we will go hand in hand
To learn the mighty secret; we will set forth
Together unto the place where all have gone. 2724
End
NOTES
THE FEAST OF BACCHUS
(From 2nd edition).
NOTE I.
This attempt to give _Menander_ to the english stage is based Upon his
‘Heautontimorumenos’ as we know it through _Terence_. That play, though
marked by roman taste, is a work of high excellence; but as it stands
would be unpresentable to a christian audience, chiefly on account of
the story of _Antiphila’s_ exposure, which must deprive _Chremes_ of
sympathy. And, since the liberties which _Terence_ took with _Menander_
cannot be determined, it was but mannerly to extend the necessary
alteration, and suppress the slaves with their tedious and difficult
intrigue. Thus altered, only about one-sixth of the latin original
remains; and the play is perhaps not so sound in plot as _Terence_
made it, and is still weighted with the badness of his _Bacchis_
[_Gorgo_]; but it has the advantage of being more easily followed. The
construction of the modern stage required the opening change. All that
is beautiful in _Terence_, and therefore possibly most of what was
_Menander’s_, has been carefully preserved; and some extant fragments
of his have also found a lodging.
Public-domain text, read in full here on John Shaqi.
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