Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
He represented Ludlow till 1806. He was a supporter of FOX, upon
whom he wrote a Monody. He was never married, and he was succeeded
in his fine property, including Downton Castle, near Ludlow, &c., on
his death in 1824, by his brother, Thomas Andrew Knight, one of the
most scientific of horticulturists, and he in turn was succeeded by
his grandson, Andrew Johnes Rouse Boughton, second son of the late
Sir W. E. Rouse Boughton, Bart., who added by royal license in 1856
the name of Knight to his patronymic.—ED.]
[The drama (here nicknamed _The Reformed Housekeeper_), but entitled
by the author “_Misanthropy and Repentance_,” was produced at Drury
Lane Theatre, Sheridan being then lessee, as “_The Stranger_,” on
the 24th March, 1798. The following was the cast:—_The Stranger_, J.
P. Kemble; _Baron Steinfort_, John Palmer; _Francis_, R. Palmer;
_Peter_, Suett; _Tobias_, J. Aikin; _Solomon_, Wewitzer; _Count
Wintersen_, Barrymore; _Mrs. Haller_, Mrs. Siddons; _Countess
Wintersen_, Mrs. Goodall; _Charlotte_, Miss Stuart. It was
considered by competent authorities as one of Kemble’s finest
efforts, and was performed on twenty-six successive nights. Some of
our most eminent actors and actresses have essayed the principal
parts. Miss O’Neill made her last appearance on the stage in the
character of Mrs. Haller, 13th of July, 1818.
The acting version purported to be altered from the German by Benj.
Thompson (afterwards Count Rumford), but it is likely that all or
most of the alterations came from the skilful hands of Sheridan,
assisted by Kemble. The pathetic song introduced, “_I have a silent
sorrow here_,” was written by the former. Two other versions of the
drama appeared in the year 1798—one by A. Schinck, and the other by
G. Papendick—but neither has been acted.
Kotzebue tells us in his _Autobiography_ that this play of his was
acted at the Imperial Palace of _The Hermitage_, St. Petersburg,
under his superintendence while manager of the Imperial Company of
German Comedians, and excited visible emotion in the Emperor Paul.
He himself saw it acted at Tobolsk during his exile in Siberia. The
vast and splendid palace of _The Hermitage_ is now given up to the
Arts. It contains the enormous collection of Pictures accumulated by
the Russian sovereigns (including the Houghton Gallery formed by Sir
Robert Walpole), together with a Gallery of Sculpture, one of the
finest assortments of Antique Gems in the world, a museum of Grecian
and Etruscan Antiquities, and a library of rare Books and
Manuscripts.
Public-domain text, read in full here on John Shaqi.
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