Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
History
Poetry of the Anti-Jacobin: Comprising the Celebrated Political and Satirical Poems, of the Rt. Hons. G. Canning, John Hookham Frere, W. Pitt, the Marquis Wellesley, G. Ellis, W. Gifford, the Earl of Carlisle, and Others.
English poetry; France -- History -- Revolution, 1789-1799 -- Poetry; Great Britain -- Politics and government -- 1789-1820
CAS. [_Aside._] How does this idiot woman torment me!—What else?
LAND. I can’t recollect.
CAS. Oh, agony!
[_In a paroxysm of agitation._
WAITER. See here, her name upon the travelling trunk—Matilda Pottingen.
CAS. Ecstasy! ecstasy!
[_Embracing the Waiter._
LAND. You seem to be acquainted with the lady—shall I call her?
CAS. Instantly—instantly—tell her her loved, her long-lost—tell her——
LAND. Shall I tell her dinner is ready?
CAS. Do so—and in the meanwhile I will look after my portmanteau.
[_Exeunt severally._
_Scene changes to a subterranean vault in the Abbey of Quedlinburgh,
with coffins, ’scutcheons, death’s heads and crossbones—toads and
other loathsome reptiles are seen traversing the obscurer parts of
the stage._—ROGERO _appears, in chains, in a suit of rusty armour,
with his beard grown, and a cap of a grotesque form upon his
head—beside him a crock, or pitcher, supposed to contain his daily
allowance of sustenance.—A long silence, during which the wind is
heard to whistle through the caverns._—ROGERO _rises, and comes
slowly forward, with his arms folded._
ROG. Eleven years! it is now eleven years since I was first
immured in this living sepulchre—the cruelty of a Minister—the
perfidy of a Monk—yes, Matilda! for thy sake—alive amidst the
dead—chained—coffined—confined—cut off from the converse of my
fellow-men. Soft!—what have we here! [_stumbles over a bundle of
sticks._] This cavern is so dark that I can scarcely distinguish
the objects under my feet. Oh—the register of my captivity. Let me
see; how stands the account? [_Takes up the sticks, and turns them
over with a melancholy air; then stands silent for a few minutes,
as if absorbed in calculation._]—Eleven years and fifteen
days!—Hah! the twenty-eighth of August! How does the recollection
of it vibrate on my heart! It was on this day that I took my last
leave of my Matilda. It was a summer evening; her melting hand
seemed to dissolve in mine, as I prest it to my bosom. Some demon
whispered me that I should never see her more. I stood gazing on
the hated vehicle which was conveying her away for ever. The tears
were petrified under my eyelids. My heart was crystallized with
agony. Anon—I looked along the road. The diligence seemed to
diminish every instant; I felt my heart beat against its prison,
as if anxious to leap out and overtake it. My soul whirled round
as I watched the rotation of the hinder wheels. A long trail of
glory followed after her, and mingled with the dust; it was the
emanation of Divinity, luminous with love and beauty, like the
splendour of the setting sun; but it told me that the sun of my
joys was sunk for ever. Yes, here in the depths of an eternal
dungeon, in the nursing cradle of hell, the suburbs of perdition,
Public-domain text, read in full here on John Shaqi.
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